<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-8352560</id><updated>2010-03-15T07:56:55.715-07:00</updated><title type='text'>White Light Black Light</title><subtitle type='html'>compiled by Alice</subtitle><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default?start-index=26&amp;max-results=25'/><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.pscelebrities.com/whitelightblacklight/atom.xml'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>4202</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8352560.post-7276669460608044099</id><published>2010-03-14T07:45:00.000-07:00</published><updated>2010-03-15T07:56:55.725-07:00</updated><title type='text'>Peter Gabriel: No Guitars, No Drums, All Covers</title><content type='html'>&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;img src="http://media.npr.org/assets/music/news/2010/03/gabriel.jpg?t=1268426552&amp;amp;s=2" /&gt;&lt;/div&gt;
&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
It's shaping up to be a banner year for Peter Gabriel. The 
progressive-rock icon just turned 60. Genesis, the band he founded, will
 be inducted into the Rock and Roll Hall of Fame. Gabriel is also 
kicking off New Blood, a limited concert tour with full orchestra. And 
he's just released his first solo album in eight years.&lt;/div&gt;
&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;i&gt;&lt;br /&gt;Scratch
 My Back&lt;/i&gt; features Gabriel performing a dozen cover songs by younger
 artists such as Bon Iver and Regina Spektor, as well as more familiar 
faces like Talking Heads and David Bowie. Gabriel set a single creative 
restriction for this project: "No drums and no guitars." In the coming 
months, some of these artists will release covers of Gabriel's songs, as
 well.&lt;/div&gt;
&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
In an interview with &lt;i&gt;Weekend Edition Sunday&lt;/i&gt; guest host Audie
 Cornish, Gabriel talks about the role of lyrics in deciding which songs
 he wanted to interpret.&lt;/div&gt;
&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;"There are so many more things that I 
love the music of than the lyrics," Gabriel says. "The lyrics was often 
the reason I didn't do a lot of songs that I like. 'Cause when you 
actually sort of strip them naked, it's not always that they're going to
 stand up. You know, some rock lyrics work well in one environment, but 
don't hold up if you separate them from their roots. And I think all of 
these lyrics are great lyrics regardless of the music."&lt;/div&gt;
&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
Gabriel and his team drastically re-orchestrated many of the songs on
 &lt;i&gt;Scratch My Back&lt;/i&gt;, stripping them down and scoring them anew.&lt;/div&gt;
&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;"For
 me, it's quite a grown-up record," he says. "It's not easy listening. 
And I love stuff like that: that you don't necessarily like at all at 
first, but grows on you. And I think some of these songs are like that, 
or particularly these arrangements.&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
"And I think it's a record 
that we see as a journey," Gabriel adds. "I know records are being seen 
very much as a selection of songs right now. And this is obviously, in 
its origin, a selection of songs. But I think the way we put it 
together, it's an old-fashioned album in the sense that you start at one
 point and end up at another."&lt;/div&gt;
&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Gabriel also talks about recording 
songs by The Magnetic Fields, Regina Spektor and Paul Simon. He calls 
Simon's "The Boy in the Bubble," from the album &lt;i&gt;Graceland&lt;/i&gt;, "one
 of the great pop lyrics of the last century."&lt;/div&gt;
&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
"We sort of sucked 
out all the African elements, and you're left with the skeleton, which 
is an extraordinary thing in itself," he says. "And I think a lot of 
people, myself included, heard the lyrics in a different way, in a new 
context."&lt;/div&gt;
&lt;div class="avcontent listen" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;h3&gt;

&lt;span style="font-size: small;"&gt;&lt;a href="javascript:NPR.Player.openPlayer(124629882,%20124669351,%20null,%20NPR.Player.Action.PLAY_NOW,%20NPR.Player.Type.STORY,%20'0')"&gt;Listen to the 
Story&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;div class="byline"&gt;
&lt;a class="program" href="http://www.npr.org/templates/story/story.php?storyId=10"&gt;Weekend 
Edition Sunday&lt;/a&gt;&lt;/div&gt;
&lt;div class="duration"&gt;
[10 min 34 sec]&lt;/div&gt;
&lt;/div&gt;
&lt;ul style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;li&gt;&lt;a class="add" href="javascript:NPR.Player.openPlayer(124629882,%20124669351,%20null,%20NPR.Player.Action.ADD_TO_PLAYLIST,%20NPR.Player.Type.STORY,%20'0')"&gt;Add to Playlist&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a class="download" href="http://public.npr.org/anon.npr-mp3/npr/wesun/2010/03/20100314_wesun_19.mp3?dl=1"&gt;Download&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a class="trans" href="http://www.npr.org/templates/transcript/transcript.php?storyId=124629882"&gt;Transcript&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="spacer" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-7276669460608044099?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.npr.org/templates/story/story.php?storyId=124629882&amp;f=100920965&amp;sc=igg2' title='Peter Gabriel: No Guitars, No Drums, All Covers'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/7276669460608044099/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=7276669460608044099' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/7276669460608044099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/7276669460608044099'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/peter-gabriel-no-guitars-no-drums-all.htm' title='Peter Gabriel: No Guitars, No Drums, All Covers'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-8724248481128843959</id><published>2010-03-13T10:54:00.000-08:00</published><updated>2010-03-14T01:59:25.529-08:00</updated><title type='text'>Really...It Is...</title><content type='html'>&lt;a class="button  inlineButton rockerRight" href="javascript://" id="page_productView_workspaceViewMode_option2" style="cursor: pointer;" title="design view"&gt;&lt;span class="buttonLeft"&gt;&lt;span class="buttonRight"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;                            &lt;script type="text/javascript"&gt;
   $page_productView_workspaceViewMode = {value:'product'};
  
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&lt;img alt="Reading Is Sexy T-shirts by magarmor" class="realview" id="page_productView-realview" src="http://rlv.zcache.com/reading_is_sexy_tshirt-p235324523027518398cir6_400.jpg" title="Reading Is Sexy T-shirts by magarmor" /&gt;            &lt;/div&gt;
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&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-8724248481128843959?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/8724248481128843959/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=8724248481128843959' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/8724248481128843959'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/8724248481128843959'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/pageproductviewworkspaceviewmode.htm' title='Really...It Is...'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-6494120305661730036</id><published>2010-03-12T00:00:00.000-08:00</published><updated>2010-03-14T01:58:22.866-08:00</updated><title type='text'>Valentine Kiss - by Bri Chan</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.pscelebrities.com/whitelightblacklight/uploaded_images/valentine_kiss_by_bri_chan-715390.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.pscelebrities.com/whitelightblacklight/uploaded_images/valentine_kiss_by_bri_chan-715387.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-6494120305661730036?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://th07.deviantart.net/fs9/300W/i/2006/043/b/8/valentine_kiss_by_bri_chan.jpg' title='Valentine Kiss - by Bri Chan'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/6494120305661730036/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=6494120305661730036' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6494120305661730036'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6494120305661730036'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/valentine-kiss-by-bri-chan.htm' title='Valentine Kiss - by Bri Chan'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-692502748960538302</id><published>2010-03-11T07:05:00.000-08:00</published><updated>2010-03-11T07:05:24.954-08:00</updated><title type='text'>Memories...</title><content type='html'>&lt;div style="color: #cc0000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Nf1N-y9Mbo4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Nf1N-y9Mbo4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
Barbara Lee&lt;br /&gt;
WAR MADE EASY&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-692502748960538302?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.youtube.com/watch?v=Nf1N-y9Mbo4' title='Memories...'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/692502748960538302/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=692502748960538302' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/692502748960538302'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/692502748960538302'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/memories.htm' title='Memories...'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-5660410394373031575</id><published>2010-03-10T14:53:00.000-08:00</published><updated>2010-03-11T22:09:24.389-08:00</updated><title type='text'>7 Years After Killing, Family of Slain US Peace Activist Rachel Corrie Heads to Israel for Wrongful Death Suit Against Israeli Gov’t</title><content type='html'>&lt;div id="swfplayer" style="color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;
&lt;div class="story" style="color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;h2 class="segment"&gt;

&lt;span style="font-size: small;"&gt;&lt;span style="font-weight: normal;"&gt;From: &lt;a href="http://www.democracynow.org/2010/3/10/family_of_slain_us_peace_activist"&gt;&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.democracynow.org/2010/3/10/family_of_slain_us_peace_activist"&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;www.democracynow.org&lt;/span&gt;&lt;span style="font-weight: normal;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h2&gt;
&lt;span style="font-size: small;"&gt;&lt;img alt="Rachel-corrie-double" class="storyimage" src="http://i1.democracynow.org/images/story/85/18585/rachel-corrie-double.jpg" /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;div style="text-align: left;"&gt;
&lt;span style="font-size: small;"&gt;Rachel Corrie, a twenty-three-year-old student from Evergreen College in Olympia, Washington, was crushed to death by an Israeli army bulldozer in Gaza seven years ago as she stood before a Palestinian home facing demolition. Today, a trial opens in Israel in a lawsuit brought by Corrie’s family against the Israeli government. The eyewitness testimony is expected to challenge Israel’s version of events with evidence that she was clearly visible to the soldiers, standing before the bulldozer in her florescent orange jacket. We spend the hour with Rachel Corrie’s family: her father Craig, her mother Cindy, and her sister Sarah.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;a href="http://media.libsyn.com/media/democracynow/dn2010-0309-1.mp3"&gt;MP3 of the segment&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-5660410394373031575?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.democracynow.org/2010/3/10/family_of_slain_us_peace_activist' title='7 Years After Killing, Family of Slain US Peace Activist Rachel Corrie Heads to Israel for Wrongful Death Suit Against Israeli Gov’t'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/5660410394373031575/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=5660410394373031575' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/5660410394373031575'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/5660410394373031575'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/7-years-after-killing-family-of-slain.htm' title='7 Years After Killing, Family of Slain US Peace Activist Rachel Corrie Heads to Israel for Wrongful Death Suit Against Israeli Gov’t'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-6661828697526468999</id><published>2010-03-09T06:56:00.000-08:00</published><updated>2010-03-09T07:03:11.738-08:00</updated><title type='text'>A Prayer for Change, by Reverend Billy</title><content type='html'>&lt;div class="headline" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;h1&gt;&lt;a href="http://blogs.alternet.org/speakeasy/2010/03/08/a-prayer/" rel="bookmark"&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/div&gt;&lt;div class="blog_byline" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;a href="http://blogs.alternet.org/speakeasy/author/reverendbilly/"&gt;&lt;img alt="Reverend Billy Talen" border="0" src="http://blogs.alternet.org/speakeasy/wp-content/avatars/65062.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blogs.alternet.org/speakeasy/author/reverendbilly/" title="Posts by Reverend Billy Talen"&gt;Reverend Billy&lt;/a&gt;&lt;br /&gt;
March 8, 2010&amp;nbsp;       &lt;br /&gt;
&lt;/div&gt;&lt;span class="anylink" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="anylink" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;img alt="Fire on the mountain. Photo credit: BulbVivid " class="alignright size-full wp-image-3012" height="500" src="http://blogs.alternet.org/speakeasy/files/2010/03/Fire-on-the-mountain.jpg" title="Fire on the mountain. Photo credit: BulbVivid " width="333" /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="anylink" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-size: small;"&gt;Aung San Sun Kyi, Nelson Mandella, Chief Joseph, Harvey Milk — teach us! &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="anylink" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span class="anylink" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-size: small;"&gt;Revolution aint what it used to be.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="anylink" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="anylink" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="anylink" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Emma Goldman, Cesar Chavez, Leonard Peltier, Sojourner Truth –teach us! The President used the word “change” to stop it. The change we seek couldn’t be clearer, but it is mimicked by Presidents and corporate marketing. By the time we shout “Justice” we’re in a commercial selling underwear, perfume, votes…&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="anylink" style="color: #20124d; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
Revolution aint got the same song. Paul Robeson, Woody Guthrie, Joan Baez, Public Enemy, Joe Strummer — please pull our songs into a new valley, a new union hall. The songs we thought would change everything become Muzak before they get to the elevator speakers. And the words. If we read the words in a library our reading room is privatized before turn we&amp;nbsp;the page. We look down and logos cover our feet like leeches in the 18th century.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Che, Subcommandante Insurgente Marcos, Mumia Abu-Jamal, Judi Bari from Earth First — teach us! The change we seek is clear to the reactionaries too, and they discovered the disguise of scale. On the one hand they remove mountaintops and change the climate. So our citizenship is a slow state of shock. Then they go tiny, too. The corporations search for the DNA that makes us shop. They want to throw that switch. They look forward to the deletion of any mental dissent.&lt;br /&gt;
&lt;br /&gt;
Walt Whitman, Mahatma Gandhi, Dr. Martin Luther King — please prepare us for the strangeness, the mystification of entrenched power. The killers hide in the air that we breathe and lurk in the dreams of our children. Where is the dirty coal executive? Where is the banker? Who do we push against? We swat at the pixels that buzz at our eyes like flies on the eyes of corpses. No, not corpses – consumers!&lt;br /&gt;
&lt;br /&gt;
Could we be as brave as the heroes from revolutions past? We are facing a different foe. The powers-that-be are shape-shifting constantly. Consumerism and Militarism are so ambient, so plastic, so media-become-real. Resistance itself must be re-invented, in the sense that each of these heroes we’ve prayed to – each was a creator. Angela Davis‘ strategy for change was different than that of Bernadette Devlin, or the students in Tiananmen Square, or Toussaint L’ouverture.&lt;br /&gt;
&lt;br /&gt;
Isn’t another name in revolution’s hall of fame — the Earth? We can pathologize all of these recent natural disasters as feverish seizures of a delirious planet. Then sometimes the earth seems coolly intelligent, as media-savvy as any video-taped underground movement – in its response to the poisoning from its human species.&lt;br /&gt;
&lt;br /&gt;
Life on Earth — teach us! After all the heroes and martyrs and risings-up of the people, we sometimes feel as if we’ve gotten nowhere. The power of the corporations grows every hour and we don’t seem to have a response. You, the Earth where we live, you are responding. We sense that you are making your move, feverishly rising, interrupting, killing some of us and saving us all. &lt;br /&gt;
&lt;br /&gt;
Amen.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-6661828697526468999?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://blogs.alternet.org/speakeasy/tag/subcommandante-insurgente-marcos/' title='A Prayer for Change, by Reverend Billy'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/6661828697526468999/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=6661828697526468999' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6661828697526468999'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6661828697526468999'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/prayer-for-change-by-reverend-billy.htm' title='A Prayer for Change, by Reverend Billy'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-6733787633669478654</id><published>2010-03-09T00:00:00.000-08:00</published><updated>2010-03-11T21:48:45.681-08:00</updated><title type='text'>Study finds median wealth for single black women at $5</title><content type='html'>&lt;div class="story_headline" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;/div&gt;
&lt;div class="story_lastupdate" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
Tuesday, March 09, 2010&lt;/div&gt;
&lt;div class="story_byline" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
By Tim Grant, Pittsburgh Post-Gazette&lt;/div&gt;
&lt;div class="story_body" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
Women of all races bring home less income and own fewer assets, on 
average, than men of the same race, but for single black women the 
disparities are so overwhelmingly great that even in their prime working
 years their median wealth amounts to only $5.&lt;br /&gt;
&lt;br /&gt;
In a groundbreaking report released Monday by a leading economic 
research group, social scientists turned a spotlight on the grave 
financial challenges facing an often overlooked group of women, many of 
whom could not take an unpaid sick day or repair a major appliance 
without going into debt.&lt;br /&gt;
&lt;br /&gt;
"It's rather shocking," said Meizhu Lui, director of the Closing the 
Gap Initiative based in Oakland, Calif., who contributed to the report 
"Lifting as We Climb: Women of Color, Wealth and America's Future."&lt;br /&gt;
&lt;div class="story_box_right" style="font-size: 9pt; line-height: 1.2em; margin-bottom: 10px; margin-left: 10px;"&gt;
&lt;div&gt;
&lt;hr color="#666666" noshade="noshade" size="2" /&gt;
&lt;/div&gt;
&lt;div style="font-size: 110%; font-weight: 700; margin-top: 5px; text-align: left;"&gt;
&lt;img src="http://www.post-gazette.com/images4/icon_acrobat_16x16.png" style="border: 0px none; margin-right: 5px;" /&gt;PDF&lt;/div&gt;
&lt;div&gt;
&lt;hr color="#666666" noshade="noshade" size="1" /&gt;
&lt;/div&gt;
&lt;div style="margin-top: 5px;"&gt;
&lt;a href="http://www.post-gazette.com/pg/pdf/201003/20100309_womenincome.pdf" target="_blank"&gt;Racial
 disparities in net worth&lt;/a&gt;&lt;/div&gt;
&lt;div style="clear: right;"&gt;
&lt;hr color="#666666" noshade="noshade" size="1" /&gt;
&lt;/div&gt;
&lt;/div&gt;
Among the most startling revelations in the wealth data is that while
 single white women in the prime of their working years (ages 36 to 49) 
have a median wealth of $42,600 (still only 61 percent of their single 
white male counterparts), the median wealth for single black women is 
only $5.&lt;br /&gt;
&lt;br /&gt;
"Even for those of us who have been looking at the wealth gap for a 
while, we were shocked and amazed at how little women of color have," 
Ms. Lui said.&lt;br /&gt;
&lt;br /&gt;
Researchers at the Insight Center for Community Economic Development,
 based in Oakland, Calif., analyzed data from the 2007 Survey of 
Consumer Finances, a voluminous report the Federal Reserve Board issues 
every three years that examines household finances in this country.&lt;br /&gt;
&lt;br /&gt;
Wealth, or net worth, measures the total of one's assets -- cash in 
the bank, stocks, bonds and real estate; minus debts -- home mortgages, 
auto loans, credit cards and student loans. The most recent financial 
data was collected before the economic downturn, so the current numbers 
likely are worse now than at the time of the study.&lt;br /&gt;
&lt;br /&gt;
Black women, in general, were more likely to have participated in the
 subprime loan crisis with upper-income black women being five times 
more likely to have received a high-cost mortgage than upper-income 
white men.&lt;br /&gt;
&lt;br /&gt;
"The popular image is they spend too much, which is the reason they 
are running up credit card and consumer debt, but the cost of living has
 risen faster than income, and they need to go into debt for basic daily
 necessities," Ms. Lui said. "It's compounded because unemployment is 
twice as high in the black community than it is in the white community."&lt;br /&gt;
&lt;br /&gt;
For all working-age black women 18 to 64, the financial picture is 
bleak. Their median household wealth is only $100. Hispanic women in 
that age group have a median wealth of $120.&lt;br /&gt;
&lt;br /&gt;
"That means half of [black women] have a net worth of more than $100 
and half have a net worth of less than $100," Ms. Lui said. "So that 
gives you an idea of how far in debt some women of color are."&lt;br /&gt;
&lt;br /&gt;
Married or cohabitating white women have a median wealth of $167,500.
 Married or cohabitating black women have a median net worth of $31,500.&lt;br /&gt;
&lt;br /&gt;
The reasons behind the daunting financial challenges black women face
 are numerous and complex.&lt;br /&gt;
&lt;br /&gt;
"There are excuses and circumstances that have evolved in society, 
which put black women where they are," said Esther Bush, executive 
director of the Urban League of Greater Pittsburgh, who said in 
Pittsburgh more than 70 percent of African-American families are headed 
by single women.&lt;br /&gt;
&lt;br /&gt;
The recession has hit single mothers especially hard.&lt;br /&gt;
&lt;br /&gt;
According to a recent report by the Institute for Women's Policy 
Research and the Women and Girls Foundation of Southwest Pennsylvania, 
more than four out of 10 families headed by single mothers in Pittsburgh
 and more than one in three in Pennsylvania, live in poverty.&lt;br /&gt;
&lt;br /&gt;
In Pittsburgh and across the country, the financial burdens of single
 parenthood fall mostly on women, but black women are more likely to 
endure the work and responsibility of raising children on their own. 
They are more likely to be the backbone of their families and 
communities, with greater responsibilities to support struggling friends
 and families.&lt;br /&gt;
&lt;br /&gt;
In a 2008 study of black women and their money, the ING Foundation 
found that black women -- who frequently manage the assets of their 
households -- financially support friends, family and their houses of 
worship to a much greater degree than the general population.&lt;br /&gt;
&lt;br /&gt;
They also are more likely to be employed in jobs and industries -- 
such as service occupations -- with lower pay and less access to health 
insurance. And when their working days are done, they rely most heavily 
on Social Security because they are less likely to have personal 
savings, retirement accounts or company pensions. Their Social Security 
benefits are likely to be lower, too, because of their low earnings.&lt;br /&gt;
&lt;br /&gt;
Rather than strictly comparing income, researchers in the Insight 
study looked at the wealth gap. The current economic crisis has shown 
that a person's wealth affects not only retirement security, but also a 
person's ability to handle financial setbacks such as a job loss or a 
health emergency.&lt;br /&gt;
&lt;br /&gt;
High unemployment and high incarceration rates for black men also 
lower the likelihood of single black women finding a partner to help 
build a more secure financial future.&lt;br /&gt;
&lt;br /&gt;
Ms. Lui said the Insight report would be used to encourage the 
government to close the wealth gap and improve the outlook for women of 
color, just as it did for Americans who received land through the 
Homestead Act, and education through the GI bill.&lt;br /&gt;
&lt;br /&gt;
"If wealth was based on hard work, African-Americans would be the 
wealthiest people in our nation," she said. "It's not about behavior. 
It's about government policies. Who does the government help and who is 
it not helping?&lt;br /&gt;
&lt;br /&gt;
"Our government knows how to build wealth for people. They've done it
 for others and they can do it for all of us. They need to focus some 
attention on women of color. Look at the situation and see what we 
need."&lt;br /&gt;&lt;br /&gt;
&lt;div class="story_end_field"&gt;
Tim Grant: &lt;a href="mailto:tgrant@post-gazette.com"&gt;tgrant@post-gazette.com&lt;/a&gt; or 
412-263-1591.&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-6733787633669478654?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.post-gazette.com/pg/10068/1041225-28.stm' title='Study finds median wealth for single black women at $5'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/6733787633669478654/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=6733787633669478654' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6733787633669478654'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6733787633669478654'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/study-finds-median-wealth-for-single.htm' title='Study finds median wealth for single black women at $5'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-3173778749788223128</id><published>2010-03-08T21:10:00.000-08:00</published><updated>2010-03-08T21:10:24.420-08:00</updated><title type='text'>Happy 100 Years of International Women's Day</title><content type='html'>&lt;span style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;From: &lt;a href="http://yenupeace.blogspot.com/2010/03/internationa-women-day-100-year.html"&gt;&lt;/a&gt;&lt;/span&gt;&lt;a href="http://yenupeace.blogspot.com/2010/03/internationa-women-day-100-year.html"&gt;&lt;span style="font-size: small;"&gt;http://yenupeace.blogspot.com&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;br /&gt;
All Women lets Unite! &lt;br /&gt;
&lt;br /&gt;
We must never give up to fight for equal rights, only us women can ourselves can create a change. &lt;span lang="FR-CA"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span lang="FR-CA"&gt;The roots of International Women's Day are in the struggles of working women and their socialist/communist supporters. &lt;br /&gt;
History say that the mass protest by women garment and textile workers in New York City in 1857 occurred on March 8 &amp;amp; 2 years later also in march the same women won a drive to unionize. They were fighting against brutal working conditions, low wages, and the 12-hour day.&lt;/span&gt;&lt;/span&gt;     &lt;/div&gt;&lt;div align="justify" class="MsoNormal" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="leftbody" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;1908&lt;/b&gt;&lt;br /&gt;
&lt;/span&gt; &lt;/div&gt;&lt;div class="leftbody" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="FR-CA"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;On March 8, 1908, socialist women organized a demonstration of 15,000 in New York. Their demands were pay raises, shorter hours, the vote, and an end to child labor. After that, the Socialist Party of America decided with a declaration to celebrate a National Women’s Day in the U.S, so the NWD was held in February 28 &lt;/span&gt;&lt;b&gt;1909&lt;/b&gt;&lt;br /&gt;
&lt;/span&gt; &lt;/div&gt;&lt;div class="leftbody" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Women continued to celebrate NWD on the last Sunday of February until 1913.&lt;/span&gt;&lt;/div&gt;&lt;div class="leftbody" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="leftbody" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;1910&lt;/b&gt; a second International &lt;span lang="FR-CA"&gt;Socialist Congress&lt;/span&gt; of Working Women was held in Copenhagen, &lt;span lang="FR-CA"&gt;Denmark. The attendees represented socialist parties, working women’s clubs, and unions, and included the first three women elected to the Finnish parliament, at a time when few women had the right to vote.&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;  &lt;/div&gt;&lt;div align="justify" class="MsoNormal" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="FR-CA"&gt;&lt;o:p&gt;&lt;/o:p&gt;U.S. delegates went intending to propose an international women’s day, but a feminist Clara Zetkin (&lt;/span&gt;Leader of the 'Women's Office' for the Social Party in Germany) did it first.&lt;span lang="FR-CA"&gt; 100 Women from 17 countries&lt;/span&gt;, representing unions, socialist parties &amp;amp; the first three women elected to the Finnish parliament, voted yes to Zetkin's suggestion &amp;amp; International Women's Day was created.        &lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="MsoNormal" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="MsoNormal" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;1911&lt;/b&gt;&lt;span lang="FR-CA"&gt;&lt;/span&gt; on March 25, the 'Triangle Fire' in New York City shirtwaist factory, &lt;span lang="FR-CA"&gt;caused the deaths of 146 workers, mostly women&lt;/span&gt;, This disastrous scandal "helped"&lt;span lang="FR-CA"&gt; build the International Ladies Garment Workers Union, one of the first primarily female unions and became one of the largest unions in the U.S.&amp;nbsp;&lt;/span&gt;&lt;span lang="FR-CA"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" class="MsoNormal" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="FR-CA"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="leftbody" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;1913-1914&lt;/b&gt;&lt;br /&gt;
1913 many big IWD demostrations for peace took place in Europe &amp;amp; Russian women observed their first IWD, on the last Sunday in February 1913. IWD was transferred to 8 March and this day has remained the global date for International Women's Day ever since.&lt;/span&gt;&lt;/div&gt;&lt;div class="leftbody" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="FR-CA"&gt;World War I began in August 1914. But for many years IWD was suppressed by capitalist governments and a few socialist parties, that had betrayed international working-class solidarity by backing their own nations in the war.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="leftbody" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;1917 &lt;/b&gt;But the &lt;span lang="FR-CA"&gt;most memorably IWD so far was in Russia on March 8. Leon Trotskij’s "History of the Russian Revolution", describes it perfectly, (its a wonderful book) The last Sunday in February, Russian Women started a huge revolution"strike" for Bread &amp;amp; peace. 4 days later they overthrew the all-powerful Tsar's, &lt;/span&gt;who was forced to abdicate and the provisional Government granted women the right to vote.&lt;span lang="FR-CA"&gt; This then led to Lenin's Bolshevik Party's revolution, eight months later, October 1917&lt;/span&gt;.&lt;br /&gt;
The only     successful proletarian revolution in history, understood that Soviet women     would never achieve political and social equality unless they were allowed out     of the stultifying isolation of the home and into the workplace. Even in the     midst of a civil war and foreign invasion, the early Soviet government did what     it could to socialize ‘‘women’s work’’ while     instituting, for the first time in history, full legal and political equality     for women. Free abortion was available on demand; dining halls, laundries and     day-care centers were established, and the new regime sought to ensure equality     of economic opportunity in the civil service, in industry, in the party and in     the armed forces.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Since those early years, International Women's Day has assumed a new global dimension for women in developed and developing countries alike.  The growing international women's movement, which has been strengthened by four global United Nations women's conferences, has helped make the commemoration a rallying point for coordinated efforts to demand women's rights and participation in the political and economic process.  Increasingly, International Women's Day is a time to reflect on progress made, to call for change and to celebrate acts of courage and determination by ordinary women who have played an extraordinary role in the history of women's rights.&lt;br /&gt;
&lt;br /&gt;
All my Love &amp;amp; Blessings goes out to every women in this world that are every day are abused in anyway. &lt;br /&gt;
&lt;br /&gt;
For all women that do not have the chance to be a voice &amp;amp; whose efforts are not valued every day, for all women that are raising our new generation in this world. &lt;br /&gt;
&lt;br /&gt;
We must fight for all these women in the world, fight&amp;nbsp; for Dignity Justice &amp;amp; Equality.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;*&lt;br /&gt;
More from &lt;a href="http://www.democracynow.org/2010/3/8/international_womens_day_marked_around_the"&gt;&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.democracynow.org/2010/3/8/international_womens_day_marked_around_the"&gt;&lt;span style="font-size: small;"&gt;www.democracynow.org&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt; &lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h4 class="nomargin" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;a href="http://www.democracynow.org/"&gt;March 08, 2010&lt;/a&gt;&lt;/h4&gt;&lt;div id="swfplayer" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;embed allowfullscreen="true" flashvars="file=/show_chapter_list/3652/1&amp;amp;playlist=none&amp;amp;autostart=false&amp;amp;bufferlength=4&amp;amp;quality=high&amp;amp;item=0&amp;amp;repeat=list&amp;amp;streamer=lighttpd&amp;amp;image=/images/dntv.jpeg" height="356" id="flash_player" name="flash_player" quality="high" src="http://www.democracynow.org/images/player.swf" type="application/x-shockwave-flash" width="448" wmode="transparent"&gt;&lt;/embed&gt;&lt;/div&gt;&lt;script type="text/javascript"&gt;
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&lt;h2 class="segment" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;International Women’s Day Marked Around the World&lt;/h2&gt;&lt;img alt="Womensday" class="storyimage" src="http://i2.democracynow.org/images/story/72/18572/womensday.jpg" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" /&gt;     &lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Thousands of events are being held around the world to celebrate International Women’s Day, an idea that was launched 100 years ago when a group of women from seventeen countries gathered in Copenhagen, Denmark to champion the rights of women. Activists across the globe are drawing attention to a variety of concerns, including discriminatory laws, the high rate of pregnancy-related deaths in many parts of the world, the skewed sex ratio in China and India, the disproportionately high number of women who are killed and victimized by wars, the comparatively heavier burden of poverty on women, and the continuing disparity between men and women in terms of the quality of available employment and wages received.&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Guest:&lt;/div&gt;&lt;div class="guest_appearance" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;b&gt;Kavita Ramdas&lt;/b&gt;, President and CEO of the &lt;a href="http://www.globalfundforwomen.org/cms"&gt;Global Fund for Women&lt;/a&gt;. She is following discussions at the United Nations as the &lt;a href="http://www.un.org/womenwatch/daw/csw/"&gt;Commission on the Status of Women&lt;/a&gt; meets to review the implementation of the Beijing Platform for Action that came out of the Fourth World Conference on Women in 1995.&lt;/div&gt;&lt;div style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-3173778749788223128?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://yenupeace.blogspot.com/2010/03/internationa-women-day-100-year.html' title='Happy 100 Years of International Women&apos;s Day'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/3173778749788223128/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=3173778749788223128' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/3173778749788223128'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/3173778749788223128'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/happy-100-years-of-international-womens.htm' title='Happy 100 Years of International Women&apos;s Day'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-7618394252437101658</id><published>2010-03-07T00:00:00.000-08:00</published><updated>2010-03-08T21:31:23.553-08:00</updated><title type='text'>Blue</title><content type='html'>&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;&lt;i&gt;&lt;b&gt;Bluebird&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;there's a bluebird in my heart that&lt;/div&gt;&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;wants to get out&lt;/div&gt;&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;but I'm too tough for him,&lt;/div&gt;&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;I say, stay in there, I'm not going&lt;/div&gt;&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;to let anybody see&lt;/div&gt;&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;you.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;&lt;i&gt;Charles Bukowski &lt;br /&gt;
*&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.pscelebrities.com/whitelightblacklight/uploaded_images/Alice_In_Wonderland-715569.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://www.pscelebrities.com/whitelightblacklight/uploaded_images/Alice_In_Wonderland-715567.jpg" width="416" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-7618394252437101658?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/7618394252437101658/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=7618394252437101658' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/7618394252437101658'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/7618394252437101658'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/blue.htm' title='Blue'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-6777696765287078669</id><published>2010-03-06T18:59:00.000-08:00</published><updated>2010-03-06T18:59:10.072-08:00</updated><title type='text'>Archangel Michael ...info from lots of the people he channels to and through</title><content type='html'>&lt;div style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;div style="text-align: center;"&gt;&lt;img src="http://www.loc.gov/exhibits/heavenlycraft/images/rw0047as.jpg" /&gt;&lt;/div&gt;&lt;br /&gt;
&lt;a href="http://www.michaelteachings.com/"&gt;http://www.michaelteachings.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;  The Michael teachings explore the spiritual philosophy of the mid-causal plane entity Michael, popularized in the best-selling  book, "Messages from Michael" by Chelsea Quinn Yarbro.&lt;br /&gt;
&lt;img align="left" alt="The Michael Teachings" border="0" height="173" src="http://www.michaelteachings.com/img/lone_tree.jpg" width="220" /&gt;The  Michael teachings provide a liberating set of tools that help chart our  spiritual progress as we journey from first incarnation to last.&lt;br /&gt;
&lt;br /&gt;
Learning about the &lt;a href="http://www.michaelteachings.com/roles_index.html"&gt; roles&lt;/a&gt; (&lt;a href="http://www.michaelteachings.com/server_role.html"&gt;server&lt;/a&gt;, &lt;a href="http://www.michaelteachings.com/priest_role.html"&gt;priest&lt;/a&gt;, &lt;a href="http://www.michaelteachings.com/artisan_role.html"&gt;artisan&lt;/a&gt;, &lt;a href="http://www.michaelteachings.com/sage_role.html"&gt;sage&lt;/a&gt;, &lt;a href="http://www.michaelteachings.com/warrior_role.html"&gt;warrior&lt;/a&gt;, &lt;a href="http://www.michaelteachings.com/king_role.html"&gt;king&lt;/a&gt;, &lt;a href="http://www.michaelteachings.com/scholar_role.html"&gt;scholar&lt;/a&gt;) and the  &lt;a href="http://www.michaelteachings.com/overleaves_index.html"&gt;overleaves&lt;/a&gt; system,  teaches us to validate our overall development in the reincarnational cycle (&lt;a href="http://www.michaelteachings.com/soul_age_index.html"&gt;soul  age&lt;/a&gt;),  show where we are on the path, what lessons we will encounter, why we are here,  and what is yet to come.&amp;nbsp; It also helps us understand the unique qualities we  bring to the world, and why people and societies are the way they are.&lt;span style="font-size: xx-small;"&gt;&amp;nbsp;&lt;/span&gt; &lt;br /&gt;
&lt;span style="font-size: small;"&gt; The teachings are very spiritual at their core, with many words and ideas that are primarily in Eastern religions, but unlike the religions and beliefs, seek to embrace the human experience in every form as a valid learning experience and an integral part of&lt;/span&gt;&lt;img align="right" border="0" height="265" src="http://www.michaelteachings.com/img/catwalk2.jpg" width="195" /&gt;&lt;span style="font-size: small;"&gt; the whole being.&lt;/span&gt;&amp;nbsp; &lt;br /&gt;
&lt;span style="font-size: small;"&gt;This site offers the largest  resource of Michael teachings articles, &lt;a href="http://www.michaelteachings.com/m-channelings.html"&gt;Michael channeling&lt;/a&gt;,&amp;nbsp; and related material available online,  including monthly &lt;a href="http://www.michaelteachings.com/m-chat.html"&gt;chats&lt;/a&gt;  (where you can ask Michael  questions), a  &lt;a href="http://www.michaelteachings.com/michael_student_database.html"&gt;database of students&lt;/a&gt;, a &lt;a href="http://www.michaelteachings.com/mfaq.html"&gt;FAQ&lt;/a&gt;, and an active  &lt;a href="http://www.michaelteachings.com/#Michael_Teachings_Community"&gt;discussion list&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
MichaelTeachings.com is a labor of love  that was created for students, channels, and those wonderfully  inquisitive souls still destined to discover the teachings.&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: medium;"&gt;&lt;b&gt;Peace to you.&lt;/b&gt;..&lt;/span&gt;&lt;/div&gt;&lt;div style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
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&lt;center style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt; &lt;span style="font-size: medium;"&gt;&lt;span style="font-size: small;"&gt; In a hurry? Try &lt;/span&gt;&lt;/span&gt;  &lt;span style="font-size: medium;"&gt; Michael in a Nutshell&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt; &lt;/b&gt; &lt;span style="font-size: medium;"&gt; &lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-6777696765287078669?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.michaelteachings.com/' title='Archangel Michael ...info from lots of the people he channels to and through'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/6777696765287078669/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=6777696765287078669' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6777696765287078669'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6777696765287078669'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/archangel-michael-info-from-lots-of.htm' title='Archangel Michael ...info from lots of the people he channels to and through'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-7285818252548180865</id><published>2010-03-05T00:00:00.000-08:00</published><updated>2010-03-06T18:48:37.077-08:00</updated><title type='text'>The Akashic Records</title><content type='html'>&lt;div style="color: #351c75; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;From: &lt;a href="http://cof-interspiritual-mindfulness.blogspot.com/2010/03/akashic-records.html"&gt;http://cof-interspiritual-mindfulness.blogspot.com&lt;/a&gt;  &lt;/div&gt;&lt;div class="post-body entry-content" style="color: #351c75; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_FB0lDQJ2zgs/S5Fzocs732I/AAAAAAAAAos/XohggR74AgI/s1600-h/michelangelo-creazione-di-adamo-7600064.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" kt="true" src="http://4.bp.blogspot.com/_FB0lDQJ2zgs/S5Fzocs732I/AAAAAAAAAos/XohggR74AgI/s320/michelangelo-creazione-di-adamo-7600064.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;b&gt;From Wikipedia, the free encyclopedia&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
The akashic records (akasha is a Sanskrit word meaning "sky", "space" or "aether") is a term used in theosophy (and Anthroposophy) to describe a compendium of mystical knowledge encoded in a non-physical plane of existence. These records are described as containing all knowledge of human experience and the history of the cosmos. They are metaphorically described as a library; other analogues commonly found in discourse on the subject include a "universal computer" and the "Mind of God". People who describe the records assert that they are constantly updated and that they can be accessed through astral projection. The concept originated in the theosophical movements of the 19th century. It is frequently used in New Age discourse.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Specific accounts&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
In his books Journey of Souls and Destiny of Souls, Evidence of Life between Lives, Michael Newton, a hypnotherapist who has worked with subjects in deep states, has many accounts of the akashic record, or "Book of Life". Souls prior to being incarnated go to a 'library' and view the pages associated with the life they are considering. The pages are not necessarily sequential. Although there may be definitive way points along the course of our lives, our free will can change paths, events and outcomes. As the soul prepares for a life with the intent of learning a particular lesson or satisfying a karmic debt, the soul will also choose a family and a body that will help them with the lessons for this incarnation. For many, some of those images survive "birth amnesia" and become our intuition serving them during their lives.&lt;br /&gt;
&lt;br /&gt;
C.W. Leadbeater, who claimed to be clairvoyant, conducted research into the akashic record. He said he inspected this at the Theosophical Society headquarters in Adyar (Tamil Nadu), India during the summer of 1910 and recorded the results in his book Man: How, Whence, and Whither? The book records the history of Atlantis and other civilizations and the future society of Earth in the 27th century.&lt;br /&gt;
&lt;br /&gt;
Edgar Cayce stated that each person is held to account after life and "confronted" with their personal akashic record of what they have or have not done in life in a karmic sense. The idea is comparable to the Biblical Book of Life, which is consulted to see whether or not the dead should be admitted to heaven.&lt;br /&gt;
&lt;br /&gt;
Ervin Laszlo in his books Science and the Akashic Field and Science and the Reenchantment of the Cosmos brings the latest new science of the akashic field and its function as the source of all manifestation and interconnectedness, flowing out and in via the vacuum field or zero-point energy, which he equates with akasha—cosmic mind, universal consciousness, and the field that unifies all things.&lt;br /&gt;
&lt;br /&gt;
Jane Roberts in the Seth books describes a different version of a similar idea. Seth asserts that the fundamental stuff of the universe is ideas and consciousness, and that an idea once conceived exists forever. Seth argued that all ideas and knowledge are in principle accessible by "direct cognition". Direct cognition shares semantic congruency with intuition and allows for the possibility of direct knowing without time elapsing and without knowledge needing to be transferred e.g. in speech or text. This is similar to what Robert Monroe refers to as rotes in his out-of-body book trilogy.&lt;br /&gt;
&lt;br /&gt;
Robert L. DeMelo in his theoretical physics ebook The General Principles of Reality A takes another approach. He uses implicit logic to deduce the potential existence of an infinite knowing universal consciousness of which we are all a part. Essentially each contributes to its own existence. His logical deduction compares the common properties between space and time and applies them to consciousness. He concludes his ebook by referring to this infinite consciousness as God.&lt;br /&gt;
&lt;br /&gt;
According to Max Heindel's Rosicrucian writings, the "Memory of Nature" (akashic records) may be read in three different inner worlds. In the reflecting ether of the etheric region, there are pictures of all that has happened in the world. These may be of events at least several hundred years back, or much more in some cases, and they appear almost as pictures on a screen, with the difference that the scene shifts backward. The Memory of Nature may be read, in a higher world, in the highest subdivision of the Region of Concrete Thought of the World of Thought. Lastly, it may be read in the World of Life Spirit, covering events from the earliest dawn of our present manifestation. This is possible only for spiritual adepts or spiritual entities; it is through grace that access to the records is granted.&lt;br /&gt;
&lt;br /&gt;
The Urantia Book asserts the validity and reality of these "living records" in several accounts. In Paper 25 is found the statement: "The recording angels of the inhabited planets are the source of all individual records. Throughout the universes other recorders function regarding both formal records and living records. From Urantia to Paradise, both recordings are encountered: in a local universe, more of the written records and less of the living; on Paradise, more of the living and less of the formal; on Uversa, both are equally available."&lt;br /&gt;
&lt;br /&gt;
And in Paper 25:&lt;br /&gt;
&lt;br /&gt;
"&lt;i&gt;The Memory of Mercy is a living trial balance, a current statement of your account with the supernatural forces of the realms. These are the living records of mercy ministration which are read into the testimony of the courts of Uversa when each individual's right to unending life comes up for adjudication, when "thrones are cast up and the Ancients of Days are seated. The broadcasts of Uversa issue and come forth from before them; thousands upon thousands minister to them, and ten thousand times ten thousand stand before them. The judgment is set, and the books are opened." And the books which are opened on such a momentous occasion are the living records of the tertiary seconaphim of the superuniverses. The formal records are on file to corroborate the testimony of the Memories of Mercy if they are required.&lt;/i&gt;"&lt;br /&gt;
&lt;br /&gt;
In The Law of One, Book I, a book purported to contain conversations with a channeled "social memory complex" known to humans as "Ra," when the questioner asks where Edgar Cayce received his information, the answer received is, "We have explained before that the intelligent infinity is brought into intelligent energy from eighth density or octave. The one sound vibratory complex called Edgar used this gateway to view the present, which is not the continuum you experience but the potential social memory complex of this planetary sphere. The term your peoples have used for this is the "Akashic Record" or the "Hall of Records."[2]&lt;br /&gt;
&lt;br /&gt;
"Future Life Reading" - Helen Stewart Wambach (1925-1985), who lived in Concord, California, claimed to be able to read the akashic record. She said she could hypnotize people and enable them to experience their possible future lives in various alternate universes. &lt;br /&gt;
&lt;br /&gt;
In Thiaoouba Prophecy, Michel Desmarquet tells of being abducted in 1987 from Australia by supreme alien beings. During a visit of nine days with them, he is guided through the akashic record. He uses the synonym of psychosphere. He says the akashic record is like a "vibratory cocoon, which turns at a speed seven times that of light. This cocoon acts as a blotter, as it were, absorbing (and remembering) absolutely every event occurring on the planet. The contents of this cocoon are inaccessible to us on Earth - we have no way of ‘reading the land.’"&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Evidence&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
So far, the only presented evidence of akashic records has been the claims of those who purport to gather information from them. These claims cannot be empirically tested, and thus is not deemed a serious matter of scientific inquiry. Neither the Christian nor Vedic/Hindu traditions generally recognize their scriptures and beliefs as being rooted in the akashic record, though specific groups or individuals may subscribe to such a belief. However in Islamic belief, under the concept of Qadar, there is a notation of so called "the Book of Decree", or "Al-Lawh Al-Mahfud" which is also defined as a preserved tablet that holds the records of all the events that ever happened and also that are going to happen. (See: Predestination in Islam) Section 1 Jup Part 2 of the Shri Guru Granth Sahib (Sikh Holy Book) references an Akaashic ether, "the earth, its support, and the Akaashic ethers." Many translations have "Akaashic" capitalized.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;In popular culture&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
According to Hindu tradition, the Vedas are apaurueya "not of human agency", are supposed to have been directly revealed to the rishis, and thus are called śruti ("what is heard"). &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;See also&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
• The Aquarian Gospel of Jesus the Christ &lt;br /&gt;
• Esoteric cosmology &lt;br /&gt;
• Mindstream &lt;br /&gt;
• Store consciousness &lt;br /&gt;
• Terma (Buddhism)&lt;br /&gt;
• Seth Lloyd  &lt;/div&gt;&lt;div style="color: #351c75; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span class="post-author vcard"&gt; Posted by &lt;span class="fn"&gt;A CIRCLE OF FRIENDS INTERSPIRITUAL MINDFULNESS MEDITATION GROUP&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-7285818252548180865?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://cof-interspiritual-mindfulness.blogspot.com/2010/03/akashic-records.html' title='The Akashic Records'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/7285818252548180865/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=7285818252548180865' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/7285818252548180865'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/7285818252548180865'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/akashic-records.htm' title='The Akashic Records'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_FB0lDQJ2zgs/S5Fzocs732I/AAAAAAAAAos/XohggR74AgI/s72-c/michelangelo-creazione-di-adamo-7600064.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-5599734286314060526</id><published>2010-03-04T07:25:00.000-08:00</published><updated>2010-03-04T07:25:01.140-08:00</updated><title type='text'>Opera in the Fruit &amp; Veggie Market</title><content type='html'>&lt;div style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;March 3rd, 2010&lt;br /&gt;
From: &lt;a href="http://www.openculture.com/2010/03/opera_in_the_market.html"&gt;www.openculture.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="344" width="425"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;param name="src" value="http://www.youtube.com/v/Ds8ryWd5aFw&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;embed type="application/x-shockwave-flash" src="http://www.youtube.com/v/Ds8ryWd5aFw&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;The place: A produce market in Valencia, Spain. The day: Just a day like any other. But then suddenly &lt;a href="http://en.wikipedia.org/wiki/La_traviata"&gt;Verdi’s &lt;/a&gt;&lt;i&gt;&lt;a href="http://en.wikipedia.org/wiki/La_traviata"&gt;La traviata&lt;/a&gt;&lt;/i&gt; booms out over the speakers, and opera singers, initially masquerading as shopkeepers, take center stage. Stick with it until the end. The customer reaction is precious. We’ve added this one to &lt;a href="http://www.youtube.com/profile?user=oculture#g/f"&gt;our YouTube favorites&lt;/a&gt;. &lt;br /&gt;
Thanks Charlie for the tip …&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;by &lt;/span&gt;&lt;a href="http://www.openculture.com/author/dancolman/" style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" title="Posts by Dan Colman"&gt;Dan Colman&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-5599734286314060526?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.openculture.com/2010/03/opera_in_the_market.html' title='Opera in the Fruit &amp; Veggie Market'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/5599734286314060526/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=5599734286314060526' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/5599734286314060526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/5599734286314060526'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/opera-in-fruit-veggie-market.htm' title='Opera in the Fruit &amp; Veggie Market'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-3739661599377214024</id><published>2010-03-03T00:00:00.000-08:00</published><updated>2010-03-04T07:31:11.738-08:00</updated><title type='text'>Jason Leinwand</title><content type='html'>&lt;div style="color: #134f5c; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;From: &lt;a href="http://www.phantasmaphile.com/2010/02/jason-leinwand.html"&gt;www.phantasmaphile.com&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #134f5c; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="entry-category-art entry-author-pam entry-type-post entry" id="entry-6a00d83454ed4169e2012877951f93970c" style="color: #134f5c; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;div class="entry-content"&gt;&lt;div class="entry-body"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;a href="http://phantasmaphile.typepad.com/.a/6a00d83454ed4169e2012877952303970c-pi" style="display: inline;"&gt;&lt;img alt="Serpentl" border="0" class="asset asset-image at-xid-6a00d83454ed4169e2012877952303970c " src="http://phantasmaphile.typepad.com/.a/6a00d83454ed4169e2012877952303970c-800wi" title="Serpentl" /&gt;&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;
Jason Leinwand&amp;nbsp; "Releasing an Inner Serpent G-d"&amp;nbsp; 2007&lt;/div&gt;&lt;br /&gt;
&lt;a href="http://www.jasonleinwand.com/"&gt;Jason Leinwand&lt;/a&gt; is one of my favorite recent discoveries of the past year.&amp;nbsp; I dig him so much in fact that I chose one of his pieces to be the &lt;a href="http://observatoryroom.org/files/2009/12/visionquest2010.jpg"&gt;promo image&lt;/a&gt; for my current group show &lt;a href="http://observatoryroom.org/2009/12/29/exhibition-vision-quest/"&gt;VISION QUEST&lt;/a&gt; (up til Feb 21st so go see it soon!&amp;nbsp; Plug end.)&amp;nbsp; What's amazing about his work is that while it looks super neat as a jpeg, it is absolutely mind. blow. ing. in person.&amp;nbsp; This is because each piece is made up of layer upon layer of collaged colored paper elements, all obsessively cut out and arranged in mesmerizing mandala-like patterns.&amp;nbsp; You have to see this stuff, for real.&amp;nbsp; I am also crazy about the way he blends pop cultural references with mystic iconography.&amp;nbsp; Get a load of his &lt;a href="http://jasonleinwand.com/index.php/bio_statement"&gt;artist statement&lt;/a&gt;:&lt;br /&gt;
&lt;blockquote&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; ...I make collage because it is simple, involves repetitive actions, directs structure, and is unforgiving. &lt;br /&gt;
I imagine a relationship to Color, upon first sight, cannot be much different from experiencing the divine; a kaleidoscopic lure of light and warmth. An invitation to explore this light inevitably leads to the discovery of a Darkness. Through color, my work examines Hindu, Buddhist and Shamanic themes where the acceptance of this Darkness or Fear can lead to higher realms of consciousness and new states of being. This pairing of Color with Darkness becomes the focus of collaged meditations aimed at a better understanding of the Self and a means to conquer Fears.&lt;br /&gt;
My work is about Being. Bright, colorful, paper collages functioning as the Mandala or the Yantra: a meditational tool aimed at self-discovery, spiritual awakening, and devotion to the Divine Being. Navigating Consciousness through laser beams, Shakti, and joy. Confronting Fear by maintaining a rigorous process, Kali, and death. Experiencing Harmony from symmetry, UFO’s, and the cosmos. Densely layered patterns, shapes, and line hold together deep, symmetrical spaces where mind and body potential is revealed and explored. In either case, an attempt to create a magic Sacred Space where our primordial questions about Being, co-exist with comic books, science fiction, Timothy Leary and Terrance McKenna. A magic Sacred Space where the divine mother goddess can just as easily caress and nurture you as ferociously rip your face off.&lt;/blockquote&gt;So, so awesome.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-3739661599377214024?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.phantasmaphile.com/2010/02/jason-leinwand.html' title='Jason Leinwand'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/3739661599377214024/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=3739661599377214024' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/3739661599377214024'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/3739661599377214024'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/jason-leinwand.htm' title='Jason Leinwand'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-6935939931710270775</id><published>2010-03-02T00:00:00.001-08:00</published><updated>2010-03-04T07:34:54.294-08:00</updated><title type='text'>THE HOLY GHOST POSTS: VIOLINAIRES + CARLTON COLEMAN + THE WILLIAM SINGERS</title><content type='html'>&lt;div style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://soul-sides.com/2010/02/holy-ghost-posts-violinaires-carlton.html"&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;h3 class="post-title"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://soul-sides.com/2010/02/holy-ghost-posts-violinaires-carlton.html"&gt; &lt;i&gt;posted by O.W. @ soul-sides.com&lt;/i&gt;     &lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;                  &lt;/div&gt;&lt;div style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;/div&gt;&lt;img src="http://o-dub.com/images/jesusfunk.jpg" style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;a class="ymp-btn-page-play ymp-media-4c22d8226dac367108bae20e7c04869e" href="http://latinboogaloo.com/sounds/groovin.mp3" target="_blank"&gt;The Violinaires: Groovin' With Jesus&lt;i class="ymp-skin"&gt;&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a class="ymp-btn-page-play ymp-media-543de6e851d6aa8dd6bb083694815e6a" href="http://latinboogaloo.com/sounds/putyourhand.mp3" target="_blank"&gt;Put Your Hand in the Hand&lt;i class="ymp-skin"&gt;&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;
From &lt;i&gt;Groovin' With Jesus&lt;/i&gt; (197?)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;One of the best known gospel funk songs out there is the appropriate titled "Groovin' With Jesus" by the venerable Violinaires. This Detroit-founded group has a long, deep history - Wilson Pickett was once a member and the Rolling Stones apparently wrote for them. This comes out of their early '70s catalog (and if you've ever perused the gospel section at a record store, you know how prolific they could be) and they're very clearly experimenting with some secular flavor. Frankly, I have yet a hear anything even remotely on this level, at least in terms of how well it &lt;/span&gt;&lt;i style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;kicks&lt;/i&gt;&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt; that '70s funk sound. &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=Hoo7hEq7FTY" style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" target="_blank"&gt;Humble Pie&lt;/a&gt;&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt; and the &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=VgSCdkjpw5Q" style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" target="_blank"&gt;Lifesavas&lt;/a&gt;&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt; knew the real.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;I included a second song off the same album...one that you would have assumed might kick a little break &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=SJ42j9u-CO4" style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" target="_blank"&gt;based&lt;/a&gt;&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt; &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=XIdzZF1X95s" style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" target="_blank"&gt;on&lt;/a&gt;&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt; &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=6gv0PyCIAL8" style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" target="_blank"&gt;experience&lt;/a&gt;&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt; but no. Yet, this is probably one of the best versions of the song I've ever heard. Despite the opening drum break on other versions, they tend to slide in campy country rock and the Violinaires keep their version quite soulful throughout. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;a class="ymp-btn-page-play ymp-media-9784d1257ea2cc958d42de8a64273e4e" href="http://latinboogaloo.com/sounds/rockgospeltime.mp3" target="_blank"&gt;Rev. Carlton Coleman: Rockgospeltime Pt. 2&lt;i class="ymp-skin"&gt;&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;
From &lt;i&gt;Rock Gospel Time&lt;/i&gt; (Brunswick, 1970)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Coleman is probably best known in soul circles for having worked with James Brown on the novelty cut, &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=cb1iexr6mf0" style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" target="_blank"&gt;"The Boo Boo Song"&lt;/a&gt;&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;. By 1970, Coleman...no longer "King Coleman" but Rev. Carlton Coleman, was on Brunswick and recorded one of the more eclectic albums for that label (which is saying a lot). That LP was a mix of long (and I do mean long) monologues about Coleman's unique "Rock Gospel Time" philosophies with a few really funky cuts, among them "&lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=1ZPAm_NMzyQ" style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" target="_blank"&gt;Share It&lt;/a&gt;&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;" and this mostly instrumental jam, "Rockgospeltime Pt. 2"&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;a class="ymp-btn-page-play ymp-media-769545e726088635d0cce919854c8dbb" href="http://latinboogaloo.com/sounds/lifted.mp3" target="_blank"&gt;The William Singers: He Lifted Me&lt;i class="ymp-skin"&gt;&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;
From &lt;i&gt;He Lifted Me&lt;/i&gt; (Checker, 1973)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #660000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Thought I'd finish off with another Checker release (the studio seemed to be encouraging these kind of gospel-meets-funk fusions), this one from the William Singers. I think it's safe to say this cut, in particular, borrows heavily from Chicago's dense music scene with a classic funky blues riff powering the cut. &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-6935939931710270775?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://soul-sides.com/2010/02/holy-ghost-posts-violinaires-carlton.html' title='THE HOLY GHOST POSTS: VIOLINAIRES + CARLTON COLEMAN + THE WILLIAM SINGERS'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/6935939931710270775/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=6935939931710270775' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6935939931710270775'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6935939931710270775'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/holy-ghost-posts-violinaires-carlton.htm' title='THE HOLY GHOST POSTS: VIOLINAIRES + CARLTON COLEMAN + THE WILLIAM SINGERS'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-3487743579901140286</id><published>2010-03-01T22:12:00.000-08:00</published><updated>2010-03-01T22:12:01.508-08:00</updated><title type='text'>War Politics, By NORMAN SOLOMON</title><content type='html'>&lt;span style="color: #990000; font-family: Verdana,Arial,Helvetica,sans-serif;"&gt;P&lt;/span&gt;&lt;span class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;laywright Lillian Hellman said: “I cannot and will not cut my conscience to fit this year’s fashions.”&lt;br /&gt;
&lt;/span&gt;    &lt;br /&gt;
&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;The statement was in a letter to the House Un-American Activities Committee. The year was 1952. We tell ourselves that the McCarthy era was vastly different than our own -- but what about the political fashions of 2010?&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
This year’s fashions cut mean figures on Washington’s runways. Conformities lie, and people die.&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
While the escalating disaster of war in Afghanistan keeps setting deadly blazes, the few anti-war voices on Capitol Hill usually sound like people whispering “Fire!”&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
In 2010, this is what the warfare state looks like: a largely numbed state, mainlining anesthetics that induce routine torpor. In that context, the conformity of mild dissent is apt to be mistaken for outspoken moral acuity.&lt;a href="http://www.amazon.com/exec/obidos/ASIN/0977825345/counterpunchmaga"&gt;&lt;img align="RIGHT" border="0" height="223" naturalsizeflag="3" src="http://www.counterpunch.org/madelove.JPG" width="148" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
On the back of an envelope, or anywhere else, check this math:&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;$1,000,000 x 100,000 = $100,000,000,000&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
In round flat numbers, that’s the cost of deploying 100,000 U.S. troops in Afghanistan for one year -- $100 billion. The initial “cost” includes none of the human consequences.&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
In a numbed process, filtered through media and political buzz phrases, we talk about one number, then another. Numb and number.&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
For domestic acceptance, a far-off war depends on the pumped-up anesthetics of verbal abstractions and hollow numbers, permeating news media and political discourse. Wooden words and figures, bolted together; every number a lie when wrenched into claiming to tell a human truth.&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
The number we get, the farther from warfare’s human consequences. While more lives are being shattered elsewhere, conscience hems and haws to fit this year’s fashions.&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
When Martin Luther King Jr. gave his “Beyond Vietnam” speech on April 4, 1967, he told listeners that he had moved during the course of two years, finally, “to break the betrayal of my own silences and to speak from the burnings of my own heart.”&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
At the podium of Riverside Church in New York City, he said: “I come to this magnificent house of worship tonight because my conscience leaves me no other choice.”&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
Dr. King noted that the human spirit has “great difficulty” moving against “all the apathy of conformist thought within one’s own bosom and in the surrounding world.”&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
In his own way, King was saying what Hellman had said 15 years earlier -- when she declared herself unwilling to “cut my conscience to fit this year’s fashions.”&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
This year, with the escalating occupation of Afghanistan widely believed to be on automatic policy pilot, conscience is fashionably cloaked with acquiescence. Many in Congress who say they don’t support the war keep voting to fund it -- and keep their voices muffled. The brandished wrath of the House Speaker or the &lt;br /&gt;
&lt;br /&gt;
White House chief of staff is most effective as a preemptive club.&lt;/div&gt;&lt;div class="style2" style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
A dozen years after Hellman defied HUAC, a senator defied the fearful conformity of 1964. Seeing the escalation of the Vietnam War on the near horizon, Wayne Morse spoke truth to -- and about -- power. The contrast with today’s liberal baseline on Capitol Hill is painfully evident if you watch footage of &lt;a href="http://www.youtube.com/watch?v=JiLV-Xeh8bA"&gt;Senator Morse&lt;/a&gt; for two minutes.&lt;/div&gt;&lt;span style="color: #0b5394; font-family: Verdana,Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;
Norman Solomon&lt;/b&gt; is the author of &lt;a href="http://www.amazon.com/exec/obidos/ASIN/0977825345/counterpunchmaga"&gt;Made Love, Got War&lt;/a&gt;. &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-3487743579901140286?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.counterpunch.org/solomon02252010.html' title='War Politics, By NORMAN SOLOMON'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/3487743579901140286/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=3487743579901140286' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/3487743579901140286'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/3487743579901140286'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/war-politics-by-norman-solomon.htm' title='War Politics, By NORMAN SOLOMON'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-8176163854934466966</id><published>2010-03-01T19:40:00.000-08:00</published><updated>2010-03-01T19:40:07.186-08:00</updated><title type='text'>Happy Birthday Chopin</title><content type='html'>&lt;div id="main" style="color: #990000; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;h2 style="font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;The mystery of Chopin's birthday&lt;/span&gt;&lt;/h2&gt;Fryderyk Chopin was born at Zelazowa Wola in Mazovia, in the Warsaw region of Poland. His father Nicholas had been born in France in 1771 in Marainville, a village in Lorraine – a area which at that time was ruled over by the Polish King Stanislas Leszczynski. &lt;br /&gt;
&lt;br /&gt;
Nicholas, of humble origin, but very able and intelligent, had accompanied the Polish agent of his village to Warsaw in 1792, and from then on identified totally with Poland, preferring to speak Polish rather than French. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;table align="right"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td&gt;&lt;img align="right" alt="The Manor of Zelazowa Wola, Chopin's birthplace" height="188" src="http://www.chopin-society.org.uk/articles/articleimages/chopin-birthplace.gif" width="265" /&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;&lt;span class="small"&gt;The Manor of Zelazowa Wola&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;In 1802 Nicholas Chopin was engaged by Count Skarbek to be tutor to his four children at his estate of Zelazowa Zola, and in 1806 he married a poor relation of the family, Justyna Krzyzanowska, then living with the Skarbeks and acting as their housekeeper. The couple had a daughter in 1807 and then moved out of the main house into a thatched cottage close by, where their only son was born on possibly the 22nd of February and possibly the 1st of March 1810. &lt;br /&gt;
&lt;br /&gt;
The child was named Fryderyk after Fryderyk Skarbek, the Count’s eldest son, who was to be godfather. Actually they had to wait some time to receive the 18-year old Count’s consent, as he was studying in Paris, and when the christening eventually took place on the 23rd April at the parish church of Saint-Rock in Brochów, a proxy stood in for young Fryderyk Skarbek. The date of the birth was duly entered as the 22nd of February in the baptismal register. (It is interesting to note that Chopin’s godfather was to become a distinguished economist, historian and writer, and that he and Chopin became good friends in later life). &lt;br /&gt;
&lt;br /&gt;
Despite the date in the parish register, Chopin’s family always celebrated his birthday on the 1st of March.  &lt;br /&gt;
To complicate things further, Jane Stirling – his Scottish pupil and benefactor – said that Chopin had told her she was the only one who knew his real birth date. She wrote it down, put it in a box, and this box was apparently placed in Chopin’s grave in the Père Lachaise cemetery in Paris. &lt;br /&gt;
&lt;br /&gt;
Some sense can be made of this. In the nineteenth century people were much more vague about actual birthdays than we are today, and in a Catholic country such as Poland the name day would have been just as important, if not more so. However, in Britain it is the birthday which counts, and one can imagine Jane Stirling asking her beloved Master when his birthday was, so she could give him a present. He may have told her, adding that she was not to tell anyone else, as he did not want a lot of fuss. &lt;br /&gt;
&lt;br /&gt;
Whether the writing in Jane’s box would even be legible now is dubious, so even if it is the real date we may never know the truth. &lt;br /&gt;
&lt;br /&gt;
The Chopin Society celebrates the 22nd of February, as our Founder, Lucie Swiatek, favoured that date, though generally the 1st of March is more frequently regarded as correct. &lt;span class="small"&gt; &lt;br /&gt;
&lt;br /&gt;
© Copyright Rose Cholmondeley 1998 (with acknowledgements to Iwo and Pamela Zaluski).&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="small"&gt;&lt;a href="http://freedownloads.last.fm/download/55968630/Etude%2Bop10%2B%25231%2B%2528Chopin%2529.mp3"&gt;Etude Op10 #1&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="small"&gt;&lt;a href="http://www.last.fm/music/Fr%C3%A9d%C3%A9ric+Chopin/+tracks?page=1"&gt;Click here for a ton more Chopin tunes to listen to...&lt;/a&gt;&amp;nbsp;&lt;/span&gt;   &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-8176163854934466966?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.chopin-society.org.uk/' title='Happy Birthday Chopin'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/8176163854934466966/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=8176163854934466966' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/8176163854934466966'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/8176163854934466966'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/happy-birthday-chopin.htm' title='Happy Birthday Chopin'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-6669684985694052372</id><published>2010-03-01T08:03:00.000-08:00</published><updated>2010-03-01T08:03:07.475-08:00</updated><title type='text'>Senate Extends Patriot Act A Refuge for Cowards</title><content type='html'>&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;By &lt;a href="http://www.counterpunch.org/stahl03012010.html"&gt;JAYNE LYN STAHL&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Bill Maher recently told Larry King that the Senate is where "legislation goes to die." Well, not this time.&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Wednesday night, after all the cameras were gone and the Senate was filled just with senators, a voice vote was taken sans debate and a resolution passed that extends provisions of the USA Patriot Act, which were scheduled to sunset on Sunday, for another year.&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;The Democrats who are said to have worked hard to neutralize this legislation that had a built-in sunset clause did little more than wring their hands.&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Republicans, so adept at lip synching that same old song about national security, were quick to point to Ft. Hood, and the bungled bombing of an airline on Christmas Day as the rationale behind the Patriot Act. But, what these strident proponents of homeland security neglected to mention is that both the Ft. Hood incident and the aborted bombing of a Southwest Airlines jet happened after the Patriot Act had been in full play for nearly a decade. Go figure.&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;The House Judiciary Committee passed a measure intended to protect against abuse of library records by the FBI, as well as restrict the use of National Security Letters,governmental demand letters for information. The House bill was also meant to challenge carte blanche surveillance of someone designated as a "lone wolf."&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;But, thanks to Senate Democrats' temporary state of paralysis, there will no doubt be more warrantless police searches of a suspect's home after their arrest as happened in San Diego, U.S. v. Lemus, a case that the U.S. Court of Appeals for the Ninth Circuit refused to hear last week with another prominent George W. Bush-era figure, Jay Bybee, sitting on the bench. Bybee, you'll recall, was one of the masterminds of the 2002 "torture memos."&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Does anyone know why legislation mired in controversy wasn't subject to full debate in the Senate? Why were the Senate Republicans allowed to bully Democrats into submission? Maybe Democrats don't want to look weak on national security right before a major midterm election. But, in the end, are they more interested in facades than facts?&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Here are some facts. According to the Associated Press, those parts of the Patriot Act given a reprieve for another year "Authorize court-approved roving wiretaps that permit surveillance on multiple phones, Allow court-appointed seizure of records and property in anti-terrorism operations, and permit surveillance against a so-called 'lone wolf,' a non-U.S. citizen engaged in terrorism who may not be part of a recognized terrorist group."&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Boiled down to the lowest common denominator, all three provisions amount to neutering the Fourth Amendment, as well as eradicating the legal presumption of innocence.&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;But, facts aren't always convenient. Just ask Mr. Cheney. After all, it is he trying to convince us that the U.S. is no safer today, under President Obama, than it was before 9/11, despite the Patriot Act, so why then should the law that was conceived, and launched on Cheney's watch continue to see the light of day?&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Yet, after a historic televised debate on the need to overhaul national health care and in the quiet of the night, a gang of fear-mongerers were allowed to shout down, by voice vote, changes that would have provided a modicum of insulation against FBI, and law enforcement excesses making one thing crystal clear: Congress is now a refuge for cowards.&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;With any luck, the three important parts of the Patriot Act just extended will meet their maker next February, but not unless Democrats draw a line in the sand. There can be no national security where there is erosion of constitutional protections.&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Jayne Lyn Stahl is a widely published poet, essayist, playwright, and screenwriter, member of PEN American Center, and PEN USA.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-6669684985694052372?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.counterpunch.org/stahl03012010.html' title='Senate Extends Patriot Act A Refuge for Cowards'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/6669684985694052372/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=6669684985694052372' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6669684985694052372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/6669684985694052372'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/03/senate-extends-patriot-act-refuge-for.htm' title='Senate Extends Patriot Act A Refuge for Cowards'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-231239524883155777</id><published>2010-02-28T00:00:00.000-08:00</published><updated>2010-03-01T07:58:06.362-08:00</updated><title type='text'>Raw With Love, by Charles Bukowski</title><content type='html'>&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;little dark girl with&lt;br /&gt;
kind eyes&lt;br /&gt;
when it comes time to&lt;br /&gt;
use the knife&lt;br /&gt;
I won't flinch and&lt;br /&gt;
I won't blame&lt;br /&gt;
you,&lt;br /&gt;
as I drive along the shore alone&lt;br /&gt;
as the palms wave,&lt;br /&gt;
the ugly heavy palms,&lt;br /&gt;
as the living does not arrive&lt;br /&gt;
as the dead do not leave,&lt;br /&gt;
I won't blame you,&lt;br /&gt;
instead&lt;br /&gt;
I will remember the kisses&lt;br /&gt;
our lips raw with love&lt;br /&gt;
and how you gave me&lt;br /&gt;
everything you had&lt;br /&gt;
and how I&lt;br /&gt;
offered you what was left of&lt;br /&gt;
me,&lt;br /&gt;
and I will remember your small room&lt;br /&gt;
the feel of you&lt;br /&gt;
the light in the window&lt;br /&gt;
your records&lt;br /&gt;
your books&lt;br /&gt;
our morning coffee&lt;br /&gt;
our noons our nights&lt;br /&gt;
our bodies spilled together&lt;br /&gt;
sleeping&lt;br /&gt;
the tiny flowing currents&lt;br /&gt;
immediate and forever&lt;br /&gt;
your leg my leg&lt;br /&gt;
your arm my arm&lt;br /&gt;
your smile and the warmth&lt;br /&gt;
of you&lt;br /&gt;
who made me laugh&lt;br /&gt;
again.&lt;br /&gt;
little dark girl with kind eyes&lt;br /&gt;
you have no&lt;br /&gt;
knife. the knife is&lt;br /&gt;
mine and I won't use it&lt;br /&gt;
yet.&lt;br /&gt;
*&lt;/div&gt;&lt;div style="color: #0b5394; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: center;"&gt;&lt;img src="http://2.bp.blogspot.com/_mmD3RxRbVRU/S1mWEu1gBZI/AAAAAAAABNM/qU79Bx2KU4c/s400/20_01_2010_0793244001263981031_florencia-mazza.jpg" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-231239524883155777?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://poemhunter.com/p/m/random.asp' title='Raw With Love, by Charles Bukowski'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/231239524883155777/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=231239524883155777' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/231239524883155777'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/231239524883155777'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/02/raw-with-love-by-charles-bukowski.htm' title='Raw With Love, by Charles Bukowski'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_mmD3RxRbVRU/S1mWEu1gBZI/AAAAAAAABNM/qU79Bx2KU4c/s72-c/20_01_2010_0793244001263981031_florencia-mazza.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-7036336690060182049</id><published>2010-02-27T13:20:00.000-08:00</published><updated>2010-02-27T13:20:39.932-08:00</updated><title type='text'>"If you act, as you think, the missing link..."</title><content type='html'>&lt;div style="color: purple; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
"It's a poor sort of memory that only works backwards, " the Queen remarked &lt;br /&gt;
&lt;br /&gt;
-Alice in Wonderland
&lt;/div&gt;
&lt;div style="color: purple; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;img src="http://www.glogster.com/media/2/5/11/66/5116612.jpg" /&gt;&lt;/div&gt;
&lt;div style="color: purple; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-7036336690060182049?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://en.wikipedia.org/wiki/Synchronicity' title='&quot;If you act, as you think, the missing link...&quot;'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/7036336690060182049/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=7036336690060182049' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/7036336690060182049'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/7036336690060182049'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/02/if-you-act-as-you-think-missing-link.htm' title='&quot;If you act, as you think, the missing link...&quot;'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-933416813666361751</id><published>2010-02-26T10:56:00.000-08:00</published><updated>2010-02-26T10:56:19.170-08:00</updated><title type='text'>The Political Philosophy of Oscar Wilde by Wendy McElroy</title><content type='html'>&lt;span style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;/span&gt;
&lt;span style="color: red; font-family: Arial,Geneva,sans-serif; font-size: small;"&gt;February 25, 2010&lt;/span&gt;



&lt;span style="color: red; font-family: Times,Times New Roman; font-size: small;"&gt;


&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
The renowned playwright Oscar Wilde
once said, “A man who can dominate a London dinner-table can dominate
the world.” At the height of his career in 1895, Wilde dominated London
dinner-tables, stages, and opinion. Two of his plays opened that year
to rave reviews by both critics and the public. His epigrams and
activities were repeated — often by him — in the best of homes while
his philosophy of art and life were printed in newspapers of note.
Wilde was intensely admired and intensely disliked because he was,
among other things, a propagator of radical ideas.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Aesthetically, Wilde advocated
art-for-art's-sake — the theory that art should be judged on its own
merits rather than upon the morality or politics it expressed.
Personally, he declared pleasure to be the purpose of life even though
the Victorian era surrounding him assigned that role to “duty.” He was
also homosexual. These aspects of Wilde have been documented in
hundreds of books and essays but Oscar Wilde “the libertarian” and
advocate of social reform has received comparatively little attention.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
In the book &lt;i&gt;Liberty and the Great Libertarians,&lt;/i&gt;
Charles Sprading includes an excerpt from Wilde's essay “The Soul of
Man Under Socialism.” This essay and the lengthy poem “The Ballad of
Reading Gaol” — of which Benjamin Tucker published the first American
book edition in 1899 — are Wilde's most important political works.
Wilde was primarily a playwright, a poet, and a novelist who only
occasionally strayed into political theory. His importance as a
libertarian stems from the events and consequences of his life as much
or more than from his political writing. This is particularly true in
the area of penal reform.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
Part of the reason Wilde's
libertarianism is overlooked is because like many 19th-century
libertarians, including Tucker himself, Wilde sometimes called himself
a “socialist.” Just as the term “liberal” has evolved, however, the
term “socialist” was often used in a different way than it is today.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
“The Soul of Man under Socialism” is
Wilde's most direct commentary on politics but the ideal of socialism
expressed is confused and contradictory. For example, Wilde assumes
socialism will create a society in which production problems are solved
and machines perform all drudgery, leaving the individual free to
express himself. Thus, self-expression or “individualism” is the goal
of Wilde's socialist vision. Individualism is defined as the ability to
pursue artistic goals without submitting to the “tyranny of want.”
Wilde presents a paradox: namely, embracing “the collective” will not
only result in individualism but also in artistic expression without
social or state control. Thus, the essay does not argue for socialism
on economic or moral grounds but on rather naive artistic ones.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Wilde's arguments against private
property are equally vague, contradictory, and aesthetic.&lt;br /&gt;
&lt;br /&gt;
Wilde
believed private property had a “decaying” effect on man's soul. “It
[private property] has made gain nor growth its aim,” he explained. “So
that man thought that the important thing was to have, and did not know
that the important thing was to be.”
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
What the essay consistently expresses without confusion is Wilde's rejection of state control over the individual. He writes, 
&lt;/div&gt;
&lt;blockquote style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
What is needed is Individualism. If
the Socialism is Authoritarian; if there are Governments armed with
economic power as they are now with political power; if, in a word, we
are to have Industrial Tyrannies, then the last state of man will be
worse than the first.... I confess that many of the socialistic views
that I have come across seem to me to be tainted with ideas of
authority, if not of actual compulsion. Of course, authority and
compulsion are out of the question. All association must be quite
voluntary. It is only in voluntary associations that man is fine. &lt;/blockquote&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
In its final form, Wilde's socialism closely resembles Tucker's libertarian anarchism. Wilde writes, 
&lt;/div&gt;
&lt;blockquote style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
Individualism, then, is what through
Socialism we are to attain to. As a natural result the State must give
up all idea of government. It must give it up because, as a wise man
once said many centuries before Christ, there is such a thing as
leaving mankind alone; there is no such thing as governing mankind. All
modes of government are failures. Despotism is unjust to everybody,
including the despot, who was probably made for better things.
Oligarchies are unjust to the many, and ochlocracies are unjust to the
few. High hopes were once formed of democracy; but democracy means
simply the bludgeoning of the people by the people for the people....
The form of government that is most suitable to the artist is no
government at all.
&lt;/blockquote&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
This essay is not considered
important by the English Socialist movement, perhaps because its
voluntaryism opposed the movement's dominant tendencies. But according
to Wilde biographer Robert Sherard, the essay was popular with the
public.“ [M]illions of copies were sold in Central and Eastern
Europe.... In America large pirated editions were printed and sold by
revolutionary groups. In England its most immediate result was to
create feelings against Wilde among the influential and moneyed
classes.”&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
Wilde's ideas created a backlash and
his transparent homosexuality caused gossip. When the prominent father
of one of Wilde's lovers decided to make a public stir, Wilde ignored
the advice of friends. On April 3, 1895, he brought the Marquis of
Queensberry to trial on charges of libel based on a note that
Queensberry had written to Wilde, accusing him of posing as a
“somdomite” [sic]. The trial was a disaster. Not only did Wilde lose
his case but information from it made him liable for criminal
prosecution.&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
On Friday, April 26, 1895, Wilde was
tried under Section 11 of the Criminal Law Amendment Act of 1895. The
Act had come into effect four months prior with a clause that created
the new offense of indecency between male persons in public or in
private. Until this point, private acts had been outside the legal
sphere. On the basis of private and consenting acts, Wilde was
prosecuted twice and eventually sentenced to two years at hard labor.
The last one-and-a-half years were spent in Reading Gaol.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
The trials of Wilde were
sensational. The best legal professionals of the day were brought into
conflict over a notorious man being prosecuted under an unpopular law —
the recent Act was nicknamed “the blackmailer's charter.” Although
Wilde retained a tenuous foothold in the sophisticated society he had
charmed, he was now thoroughly disliked by the general public.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
The first prosecution (April 26,
1895) ended inconclusively with the jury unable to agree on some of the
counts. The government could have dropped the case at this point.
Nevertheless, on May 20, 1895, Wilde was tried again on similar but
amended charges. He was found guilty.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
The impact of the last case was
immense. Considering the controversy it caused and the reform that
followed, the ensuing imprisonment of Wilde was a mistake even from the
government's point of view. “In view of the sensation which he had
created,” the biographer Hesketh Pearson observed, “he should have been
told to leave the country.”&lt;br /&gt;
&lt;br /&gt;
Why did the matter continue? Sir Frank
Lockwood, then Soliciter General, is reported as saying that he dared
not drop the matter for “if I did so it would be said all over the
world that we dropped the case owing to the names mentioned in the
Marquis of Queensberry's letters.” These letters had been introduced by
the marquis into the first trial and identified various members of
“high society” as homosexuals. Among them was Lockwood's nephew by
marriage.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Wilde did not receive a fair hearing
in court or in public opinion. Newspaper coverage was so prejudiced
that one editor risked being sent to jail for contempt of court by
publishing the details of the jury's voting in the second of the three
trials even though Wilde had not yet been convicted of any offense. The
atmosphere of the court in the third trial was best expressed by
Justice Willis who, in passing sentence declared it to be totally
inadequate as the case had been the worst one he had ever tried.
Presumably this included murder trials.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
One of the few newspapers to strongly protest the prosecutions and imprisonment was Benjamin Tucker's &lt;i&gt;Liberty.&lt;/i&gt;
“[T]he imprisonment of Oscar Wilde,” Tucker wrote, “is an outrage that
shows how thoroughly the doctrine of liberty is misconceived. An man
who has done nothing in the least degree invasive of any one; a man
whose entire life, so far as known or charged, as been one of strict
conformity with the idea of equal liberty ... is condemned to spend two
years in cruel imprisonment at hard labor... Men who imprison a man who
has committed no crime are themselves criminals.”
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Controversy continued during Wilde's
imprisonment. Prison life was brutal. Hard-labor prisoners were
confined to badly ventilated cells for twenty-three hours of every day,
with only primitive sanitation. They slept on planks of wood. Letters
in the London &lt;i&gt;Daily Chronicle&lt;/i&gt; complained loudly about the
miserable conditions in which Wilde lived and his resulting mental
state. The controversy prompted R.B. Haldane, a Liberal M.P. and member
of the Home Office Committee, to visit Wilde and investigate the
claims.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Wilde was released from prison on May 19, 1897. That same month a letter from him was published in the &lt;i&gt;Daily Chronicle&lt;/i&gt;
under the heading “The Case of Warder Martin, Some Cruelties of Prison
Life.” The letter described a small child who spent 23 hours a day in
hideous conditions in solitary confinement for stealing food, an
offense for which he was not convicted. When the child refused to eat
the wretched prison food, Warder Martin tried to encourage him with a
sweet biscuit; Martin was dismissed for doing so.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Most of this letter dealt with the
treatment of children in prison. Children were subjected to the same
brutality as adults but as Wilde
observed: “a child can understand a punishment inflicted by an
individual such as a parent or guardian, and bear it with a certain
amount of acquiescence. What it cannot understand is a punishment
inflicted by society. It cannot realize what society is.” The letter
continues to describe individual children Wilde had seen during his
imprisonment. “The child’s face was like a white wedge of sheer terror
… the next morning I heard him breakfast-time crying and calling to be
let out. His cry was for his parents…. Yet he was not even convicted of
whatever little offense he has been charged with.” Wilde also described
the plight of a retarded prisoner who was punished constantly for his
harmless but strange behavior. The man went insane.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
This letter attracted a great deal
of attention and, according to Francis Winwar, it “succeeded in
bringing prison reform.” Biographer Frank Harris credited the letter
with bringing about improvement in the treatment of children in British
prisons.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
On March 24, 1898, Wilde published another controversial letter in the &lt;i&gt;Chronicle&lt;/i&gt;.
This letter, headed “Don’t Read This If You Want to Be Happy Today,”
was prompted by the Home Secretary’s Prison Reform Bill which was then
under debate in the House. The Bill suggested such reforms as
increasing the number of inspectors and official visitors who had
access to the prisons. Such reforms were “useless,” Wilde argued, and
again pointed to the wretched conditions of prison life. &lt;/div&gt;
&lt;blockquote style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
The misery and tortures that
prisoners go through in consequence of the revolting sanitary
arrangements are quite indescribable. And the foul air of the prison
cells … is so sickening and unwholesome that it is no uncommon thing
for warders, when they come in the morning out of fresh air and open
and inspect each cell, to be violently sick.
&lt;/blockquote&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
The reform measures he suggested
were: adequate food, improved sanitation, adequate reading material,
visitors once a month, the right to send and receive a letter at least
once a month, non-censorship of mail, and adequate medical care. The
letter ends: “And the first and perhaps the most difficult task is to
humanize the governors of prisons, to civilize the warders, and to
Christianize the chaplains.” The letter was signed “the author of ‘The
Ballad of Reading Gaol.’”
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
“The Ballad of Reading Gaol” is one
of the most acclaimed poems of the English language. It is also a major
piece of literature in penal reform. The Ballad deals with the hanging
of a prisoner named C.T. Wooldridge that occurred while Wilde was
imprisoned. It chronicles Wilde’s horror and despair.
&lt;/div&gt;
&lt;div align="center" style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
Like two doomed ships that pass in storm&lt;br /&gt;
We had crossed each other's way:&lt;br /&gt;
But we made no sign, we said no word,&lt;br /&gt;
&amp;nbsp;We had no word to say;
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
In the Ballad, Wilde does not
question the validity of any particular law, but deals with the cruelty
and degradation caused by all Law:
&lt;/div&gt;
&lt;div align="center" style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
I know not whether Laws be right,&lt;br /&gt;
Or whether Laws be wrong;&lt;br /&gt;
All that we know who lie in gaol&lt;br /&gt;
Is that the wall is strong;&lt;br /&gt;
And that each day is like a year,&lt;br /&gt;
A year whose days are long.
&lt;/div&gt;
&lt;div align="center" style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
But this I know, that every Law&lt;br /&gt;
That men have made for Man,&lt;br /&gt;
Since first Man took his brother's life,&lt;br /&gt;
And the sad world began,&lt;br /&gt;
But straws the wheat and saves the chaff&lt;br /&gt;
With a most evil fan.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Because of Wilde’s notoriety, “The
Ballad of Reading Gaol” was published under the pseudonym C.3.3. — the
number assigned to Wilde at Reading Gaol — Block C, third cell on the
third floor. The poem was immensely popular. The first edition of 800
copies (plus 30 copies on vellum) sold within the first week and was
quickly followed by a second edition of 1000. Within three months there
were six printings and translations appeared in almost every European
language. It has remained one of the most published works in English.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
It was widely and loudly received. Even the London &lt;i&gt;Times&lt;/i&gt;
devoted a lead article to praising it. Although the ballad was poetry,
it was received as though it were a pamphlet on prison reform. The &lt;i&gt;Daily Chronicle&lt;/i&gt;’s review was typical; the &lt;i&gt;Chronicle&lt;/i&gt;
devoted two-thirds of a column on the leader page and concentrated
heavily on the horrors of prison life portrayed by the poem rather than
the poem itself.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
&lt;i&gt;Liberty&lt;/i&gt; devoted a column to reviewing this (as Tucker put it) “incomparable poem.” He urged “every reader of &lt;i&gt;Liberty&lt;/i&gt;
… to help this book to a wide circulation by asking for it at the
bookstores and newsstand in his vicinity.” One-quarter of the next
issue’s space was used in reporting the response of other publications
to the Ballad.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Shortly after its publication Wilde
wrote to George Ives, a criminologist and leading figure in penal
reform: “I have no doubt we shall win, but the road is long and red
with monstrous martyrdoms. Nothing but the repeal of the Criminal Law
Amendment Act would do any good.” Wilde planned another work on prison
life but he died before it could be actualized.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
The aftermath of prison killed
Wilde, both psychologically and physically. During his imprisonment,
his beloved mother died. His wife divorced him and Wilde never again
saw the two sons for whom so much of his work had been written. He was
bankrupt and deserted by friends. Upon release Wilde left England but
even in France, where he initially settled, many hotels refused to
house or feed him. Although money was a constant problem and inhibited
his ability to write, he sent checks to prisoners he knew were being
released. Other than “The Ballad of Reading Gaol,” Wilde produced no
work of quality after his release.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
&amp;nbsp;Physically, Wilde’s death was the
result of an injury to his ear caused when he fainted one Sunday during
compulsory religious services. Despite his complaints of great pain,
Wilde was denied treatment for months. It was only through the pressure
of Wilde’s friends and officials that he was eventually hospitalized
for the injury. Unfortunately, it formed into an abscess.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Many people considered Wilde's
social conscience to be a break with his past but Wilde had
consistently opposed injustice. Years earlier in 1886, a bomb exploded
in the Chicago Haymarket killing several policemen; a show trial
resulted and ended in the hanging of a group of socialist anarchists
who became known as the “Chicago Martyrs.” In England,&lt;br /&gt;
&lt;br /&gt;
George Bernard
Shaw assumed the thankless task of circulating a petition on their
behalf. With one exception he was unable to obtain a single signature
of note to protest the injustice. Shaw wrote that of all “heroic rebels
and sceptics on paper, there was only one of them who had sufficiently
the courage of his convictions to make a public gesture on behalf of
the anarchists. This was Oscar Wilde.”
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Wilde’s sympathy toward radicals was
shown again when a young poet, John Barlas, felt impelled by social
indignation to commit an act of “propaganda by deed.” It consisted of
firing a revolver in the House of Commons. Although he and Barlas were
not on good terms, Wilde went forward to bail him out and afterwards
stood as his security when Barlas was bound over.
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
His sympathy toward penal reform can
be traced back to “The Soul of Man” in which he wrote, “One is
absolutely sickened, not by the crimes that the wicked have committed,
but by the punishments that the good have inflicted; and a community is
infinitely more brutalized by the habitual employment of punishment,
than it is by the occasional occurrence of crime.”
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Throughout his career, Wilde also
spoke out against censorship. The rehearsals for his play “Salome” were
in their third week when, in June 1892, a license necessary for public
performance was denied on the grounds that the play introduced biblical
characters onto the stage; this was prohibited by an ancient law whose
original purpose was to suppress Catholic mystery plays. Wilde deplored
this action in a lecture at the Author’s Club and in interviews. In
more dramatic moments he declared intentions to renounce his British
citizenship. Nevertheless, “Salome” was not produced in England until
13 years later, 5 years after Wilde’s death.&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
Today Wilde is remembered, and
rightly so, on the merits of his later plays which satirized the
moral/political/social customs and standards of his day. He was a
brilliant man with a tragic life that — as Benjamin Tucker put it — was
“one of strict conformity with the idea of equal liberty.”
&lt;/div&gt;
&lt;div style="color: red; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;
&lt;br /&gt;
&lt;i&gt;Wendy McElroy is the author of &lt;b&gt;The Reasonable Woman: A Guide to Intellectual Survival&lt;/b&gt; (Prometheus Books, 1998).&lt;/i&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-933416813666361751?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.fff.org/comment/com1002i.asp' title='The Political Philosophy of Oscar Wilde by Wendy McElroy'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/933416813666361751/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=933416813666361751' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/933416813666361751'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/933416813666361751'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/02/political-philosophy-of-oscar-wilde-by.htm' title='The Political Philosophy of Oscar Wilde by Wendy McElroy'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-3511855716442204301</id><published>2010-02-25T00:01:00.000-08:00</published><updated>2010-02-25T00:01:48.382-08:00</updated><title type='text'>Dolphins Clandestinely Killed In 'The Cove'</title><content type='html'>&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;[Sam Seder already did a radio show about this so....that must mean that NPR is behind the Sam Seder curve...or something...]&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;/div&gt;&lt;div style="color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;February 24, 2010&lt;/div&gt;&lt;div class="storylocation" id="storyspan02" style="color: #666666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;div class="bucketwrap primary" id="res124047246"&gt;&lt;div class="avcontent listen"&gt;&lt;h3&gt;&lt;a href="javascript:NPR.Player.openPlayer(124047256,%20124047246,%20null,%20NPR.Player.Action.PLAY_NOW,%20NPR.Player.Type.STORY,%20'0')"&gt;Listen to the Story&lt;/a&gt;&lt;/h3&gt;&lt;div class="byline"&gt;&lt;a class="program" href="http://www.npr.org/templates/story/story.php?storyId=5"&gt;Talk of the Nation&lt;/a&gt;&lt;/div&gt;&lt;div class="duration"&gt;[17 min 6 sec]&lt;/div&gt;&lt;/div&gt;&lt;ul&gt;&lt;li&gt;&lt;a class="add" href="javascript:NPR.Player.openPlayer(124047256,%20124047246,%20null,%20NPR.Player.Action.ADD_TO_PLAYLIST,%20NPR.Player.Type.STORY,%20'0')"&gt;Add to Playlist&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a class="trans" href="http://www.npr.org/templates/transcript/transcript.php?storyId=124047256"&gt;Transcript&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="storylocation" id="storytext" style="color: #666666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;div class="dateblock"&gt;&lt;div class="textsize"&gt;text size&lt;a class="normal" href="javascript:%20void();"&gt;A&lt;/a&gt;&lt;a class="big" href="javascript:%20void();"&gt;A&lt;/a&gt;&lt;a class="bigger" href="javascript:%20void();"&gt;A&lt;/a&gt;&lt;/div&gt;&lt;span class="date"&gt;February 24, 2010&lt;br /&gt;
&lt;/span&gt; &lt;/div&gt;Every year, thousands of dolphins are secretly killed in the Japanese fishing town of Taiji. &lt;br /&gt;
National Geographic photographer-turned-filmmaker Louie Psihoyos and a covert team documented the slaughter for the film, &lt;i&gt;The Cove.&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-3511855716442204301?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.npr.org/templates/story/story.php?storyId=124047256&amp;ft=1&amp;f=5' title='Dolphins Clandestinely Killed In &apos;The Cove&apos;'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/3511855716442204301/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=3511855716442204301' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/3511855716442204301'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/3511855716442204301'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/02/dolphins-clandestinely-killed-in-cove.htm' title='Dolphins Clandestinely Killed In &apos;The Cove&apos;'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-3520461481326183602</id><published>2010-02-24T07:34:00.000-08:00</published><updated>2010-02-24T07:34:17.699-08:00</updated><title type='text'>Can Barbie's spiked heel help crack engineering's glass ceiling?</title><content type='html'>&lt;h2 style="color: #e06666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;/h2&gt;&lt;div class="postimageright" style="color: #e06666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; width: 190px;"&gt;&lt;img alt="" are="" border="0" happy="" height="222" in="" just="" me?="" or="" pocket?="" rule="" see="" slide="" src="http://imgs.sfgate.com/blogs/images/sfgate/gettowork/2010/02/17/barbie.jpg" to="" width="190" you="" your="" /&gt;&lt;br /&gt;
&lt;div class="source"&gt;Mattel, Inc.&lt;/div&gt;&lt;div class="caption"&gt;"Slide rule in your pocket?  Or are you just happy to see me?"&lt;/div&gt;&lt;/div&gt;&lt;div style="color: #e06666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Barbie has a new career as a computer engineer, and technical women are cheering the development as another way to help attract girls to careers in science, high-tech, biotech and the other occupations of the future.&lt;/div&gt;&lt;div style="color: #e06666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;Backers include the likes of IEEE Fellow &lt;a href="http://www.ece.tufts.edu/%7Ekaren/" target="_blank"&gt;Dr. Karen Panetta&lt;/a&gt;, director of the &lt;a href="http://www.nerdgirls.org/Nerd_Girls_Site_Selection_Page.html" target="_blank"&gt;NerdGirls&lt;/a&gt; program that aims to break down the negative sterotypes of women engineers and help young female students translate their interest into degrees.&lt;/div&gt;&lt;div style="color: #e06666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;a href="http://cobweb.ecn.purdue.edu/%7Elhj/" target="_blank"&gt;&lt;br /&gt;
Leah Jamieson&lt;/a&gt;, a past president of IEEE and Dean of the College of Engineering at Purdue University speaks regularly on the importance of encouraging women to pursue careers in technology.&lt;/div&gt;&lt;div style="color: #e06666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
These are important messages for young girls hoping to secure their futures and for our society as it tries to afford the widest opportunity to all.&lt;/div&gt;&lt;div style="color: #e06666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
But will a hunk of plastic help? Will the business end of Barbie's spiked-heel help break the glass ceiling -- stylishly?&lt;/div&gt;&lt;div style="color: #e06666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;br /&gt;
Meanwhile, Mattel, Inc., owner of the brand, &lt;a href="http://shop.mattel.com/product/index.jsp?productId=4032107#showDetails" target="_blank"&gt;says&lt;/a&gt; computer engineering Barbie comes "dressed in a funky tee with binary code design . . . with Bluetooth headset, laptop bag, and pink laptop." Tattoos and body piercings optional, I suppose,?&lt;/div&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=8352560" name="readmore" style="color: #e06666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;/a&gt;  &lt;br /&gt;
&lt;div class="credit" style="color: #e06666; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;span class="author"&gt;&lt;br /&gt;
Posted By: &lt;a href="http://www.sfgate.com/cgi-bin/blogs/gettowork/author?blogid=163&amp;amp;auth=65"&gt;Tom Abate&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-3520461481326183602?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.sfgate.com/cgi-bin/blogs/gettowork/detail?blogid=163&amp;entry_id=57401' title='Can Barbie&apos;s spiked heel help crack engineering&apos;s glass ceiling?'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/3520461481326183602/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=3520461481326183602' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/3520461481326183602'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/3520461481326183602'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/02/can-barbies-spiked-heel-help-crack.htm' title='Can Barbie&apos;s spiked heel help crack engineering&apos;s glass ceiling?'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-207262702294772683</id><published>2010-02-23T10:21:00.001-08:00</published><updated>2010-02-23T10:21:38.109-08:00</updated><title type='text'>EIGHT HOURS IN THE BASEMENT FOR PEACE</title><content type='html'>&lt;div class="post-body entry-content" style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;b&gt;by Sam Smith&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Last Saturday I spent eight hours with three dozen other people in a basement conference room of a Washington hotel engaged in an extraordinary exercise of mind and hope. &lt;br /&gt;
&lt;br /&gt;
The topic was, by itself, depressingly familiar: building an anti-war coalition. What made it so strikingly different was the nature of those at the table. They included progressives, conservatives, traditional liberals and libertarians. Some reached back to the Reagan years or to 1960s activism, some - including an SDS leader from the University of Maryland and several Young Americans for Liberty - were still in college. &lt;br /&gt;
&lt;br /&gt;
In a time when politics is supposed to be hopelessly polarized along the lines proposed by Glenn Beck and Keith Olbermann, the most heated debate occurred not between left and right but over tactics between Ralph Nader and Bill Greider. &lt;br /&gt;
&lt;br /&gt;
There was an economics professor from a naval war college and the executive director of Veterans for Peace; there was Katrina vanden Heuvel, editor of the Nation, me from the Progressive Review, and editors from the American Conservative and Reason Magazine. &lt;br /&gt;
&lt;br /&gt;
The session had been conceived by long time activist and current head of Voters for Peace, Kevin Zeese, along with artist George D. O'Neill, Jr. who had been chair of the Rockford Institute, a leading traditional conservative intellectual think tank in the 1980s, and who had worked on Pat Buchanan's 1992 presidential campaign. &lt;br /&gt;
&lt;br /&gt;
What we shared was an antipathy towards war. It was not so much that we were anti-war as we were seeking a post-war world. Our approaches might differ but our goals were, at worst, next door. &lt;br /&gt;
&lt;br /&gt;
As Zeese put it in an introduction the session, it was about "views from the right, left and radical center, views that reflect those of many Americans which are not represented in the political dialogue in Congress or the White House, or the mainstream media. Throughout American history there have been times when movements developed that were outside the limited political dialogue of the two major parties. . . &lt;br /&gt;
&lt;br /&gt;
"Polling actually shows majorities often oppose war and escalation of war. But these views are not represented in government or the media. In addition, opposition to war is not limited to people on the left; it covers the American political spectrum and it always has. There is a long history of opposition to war among traditional conservatives. Their philosophy goes back to President Washington's Farewell Address where he urged America to avoid 'foreign entanglements.' It has showed itself throughout American history. The Anti-Imperialist League opposed the colonialism of the Philippines in the 1890s. The largest anti-war movement in history, the America First Committee, opposed World War II and had a strong middle America conservative foundation in its make-up. The strongest speech of an American president against militarism was President Eisenhower's 1961 final speech from the White House warning America against the growing military-industrial complex. In recent years the militarist neo-conservative movement has become dominate of conservatism in the United States. Perhaps none decry this more than traditional conservatives who oppose massive military budgets, militarism and the American empire. &lt;br /&gt;
&lt;br /&gt;
"Of course, the left also has a long history of opposition to war from the Civil War to early imperialism in the Philippines, World Wars I and II through Vietnam, Iraq and Afghanistan. It includes socialists, Quakers, social justice Catholics and progressives. Indeed, the opposition to entry into World War I was led by the left including socialists, trade unionists, pacifists including people like union leader and presidential candidate Eugene Debs, Nobel Peace Prize winner Jane Addams and author and political activist Helen Keller. . . &lt;br /&gt;
&lt;br /&gt;
"Opposition to Vietnam brought together peace advocates with the civil rights movement, highlighted by Dr. Martin Luther King, Jr.'s outspoken opposition to the war. . . . &lt;br /&gt;
&lt;br /&gt;
"What are the ingredients for a successful anti-war, pro-peace movement? &lt;br /&gt;
&lt;br /&gt;
- The anti-war movement needs to be a reflection of not just the left but of Middle America and traditional conservatives who oppose war. &lt;br /&gt;
&lt;br /&gt;
- A successful anti-war peace movement cannot give up the flag of patriotism. It needs to grab hold of America's patriotic impulses and show the United States can be the nation many imagine us to be-leading by positive example, helping in crisis, being a force for good, rather than propagating military dominance and hegemony. &lt;br /&gt;
&lt;br /&gt;
- A successful anti-war movement needs to be a place where veterans, from grunts to generals, can openly participate, share their stories and explain the lessons they learned from American militarism. &lt;br /&gt;
&lt;br /&gt;
- A well organized anti-war movement will have committees not only reaching out to military and business, but to academics, students, clergy, labor, nurses, doctors, teachers and a host of others. &lt;br /&gt;
&lt;br /&gt;
- The 1960s tactics of big marches and congressional demonstrations have their role but they are not sufficient. The media and government have adjusted to them. We need to use tools like voter initiatives and referenda to break through and put our issues before the voters. And, we need to learn from around the world what has worked; for example, general strikes, whether of a few hours or few days, have shown unified opposition to government policy&lt;br /&gt;
&lt;br /&gt;
- Make war relevant to Americans' day-to-day lives by constantly linking the cost of war to their communities, incomes, and bank accounts. People need to learn that Empire is not good for the U.S. economy. &lt;br /&gt;
&lt;br /&gt;
- Both parties are dominated by pro-militarist elected officials. The anti-war movement needs to be strong in criticizing candidates who call for a larger military, escalation of war, or other militarist policies."&lt;br /&gt;
&lt;br /&gt;
Clips from the bios of those at the session suggest the unusual cross-ideological and cross-cultural presence: &lt;br /&gt;
&lt;br /&gt;
- A Senior Fellow at the Cato Institute. He also is the Robert A. Taft Fellow at the American Conservative Defense Alliance and served as a Special Assistant to President Ronald Reagan.&lt;br /&gt;
&lt;br /&gt;
- His leading work includes a biography of historian William A. Williams, the Encyclopedia of the American Left, five volumes on the lives and work of the Hollywood Blacklistees, . . . and eight volumes of nonfiction comic art (adaptations of Howard Zinn and Studs Terkel, graphic biographies of Isadora Duncan and Emma Goldman, The Beats, The Art of Harvey Kurtzman, etc).&lt;br /&gt;
&lt;br /&gt;
- He has been a regular contributor to Rolling Stone, and currently covers national security for its National Affairs section. He is a contributing editor at The Nation, a contributing writer at Mother Jones, and a senior correspondent for The American Prospect.&lt;br /&gt;
&lt;br /&gt;
- An associate professor of economics at the Naval Postgraduate School in Monterey, California and a Research Fellow with the Hoover Institution at Stanford University. From 1982 to 1984, he was the senior economist for health policy, and from 1983 to 1984 he was the senior economist for energy policy, with President Reagan's Council of Economic Advisers.&lt;br /&gt;
&lt;br /&gt;
- Founding member of the Washington chapter of the National Association of Black Journalists; executive board member of the National Alliance of Third World Journalists. . .&lt;br /&gt;
&lt;br /&gt;
- Founding Managing Editor and current Executive Editor of The American Conservative. Research director of Pat Buchanan's 2000 campaign.&lt;br /&gt;
&lt;br /&gt;
- Executive Director of Veterans For Peace. His volunteer social and economic justice activist work include membership in Military Families Speak Out, coordinating committee member for the Bring Them Home Now campaign against the U.S. occupation of Iraq and Co-Chair of United For Peace and Justice.&lt;br /&gt;
&lt;br /&gt;
- Legislative aide for the armed services for Senator Robert Taft, Jr., of Ohio from 1973 through 1976 and held a similar position with Senator Gary Hart of Colorado from 1977 through 1986. An opponent of the Iraq War, has written for the Marine Corps Gazette, and Defense and the National Interest. . .&lt;br /&gt;
&lt;br /&gt;
- For over four decades has exposed problems and organized millions of citizens into more than 100 public interest groups to advocate for solutions. . .&lt;br /&gt;
&lt;br /&gt;
- Active within the Democratic, Republican, and Green parties at various times. As a boy, he supported George McGovern for president in 1972 partly because of the Democrat's anti-war stance. In the mid 1970s, he became a conservative who backed Ronald . . .&lt;br /&gt;
&lt;br /&gt;
- Managing editor of Reason magazine, is the author of Rebels on the Air: An Alternative History of Radio in America.&lt;br /&gt;
&lt;br /&gt;
Notably absent from the session were members of the extremist center, liberal professors seeking to prove their manhood by backing yet another war, legislators afraid to challenge the Pentagon, belligerent bullies and the cowardly complacent. And everyone in the room was trying something different. &lt;br /&gt;
&lt;br /&gt;
Which, when you come to think of it, is just what happens when you make peace. People who have been shooting at each other sit down and find a way to share some space. One might expect that anti-war activists would understand this, but too often we all regard our political beliefs not as the product of imperfect and struggling minds but as our sacred identity, our justification and our privileged demographic. We reduce politics to the theology of the self-righteous rather than as an imperfect search for better times.&lt;br /&gt;
&lt;br /&gt;
As I sat around that table, I tried to recall those few occasions when I had experienced something close to this - few, that is, since the days when I sat around the family table as the third child of six and learned about living with those different from oneself and more than willing to say so. &lt;br /&gt;
&lt;br /&gt;
Some of the later times worked; some didn’t. One that worked was the anti-freeway coalition of the 1960s and 70s that kept Washington from becoming another Los Angeles. It was started by among the least likely activists - black and white middle class homeowners whose neighborhood was about to be ruined. It expanded to include those of us in the civil rights group SNCC as well as the all white Georgetown Citizens Association. I once wrote of the leader, "By all rights, Sammie Abbott should have been disqualified as a DC leader on at least three grounds: he was too white, he was too old, and he lived in the suburbs. Instead, this short man with a nail-file voice became the nemesis of public officials for years. Abbott, the grandson of Arab Christians who fled Turkish persecution in Syria, had been a labor organizer, a bricklayer and a World War II veteran with a Bronze Star." &lt;br /&gt;
&lt;br /&gt;
There was only one qualification to join the anti-freeway movement: opposition to freeways. And the success of our effort - rare among such highway protests - left a mark on a city colony devoid of rights and helps to explain how - just two years after the riots - we were able to form a biracial third party that would hold seats on the city council and/or school board for 25 years. &lt;br /&gt;
&lt;br /&gt;
I would come to think of it as existential politics - in which one defined one's existence by one's actions rather than by one's ethnicity, class, party registration or magazine subscriptions. And it was a sort of politics that would become increasingly rare.&lt;br /&gt;
&lt;br /&gt;
But it didn't always work. In the mid sixties, I was editing a neighborhood newspaper in Washington's biracial Capitol East. Things were already well beyond the capacity of any one community to solve. America's cities were starting to burn and you could feel the heat even in Capitol East. In September 1967, anti-poverty activist Lola Singletary convinced the white businessmen of H Street to form a organization dedicated to involvement in community problems.&lt;br /&gt;
&lt;br /&gt;
In late 1967 I came up with the idea of pulling together the various leaders of Capitol East into an informal leadership council with the possibility of forming a major neighborhood coalition. Fourteen people attended a meeting on January 31: 7 white and 7 black. Among our purposes:&lt;br /&gt;
&lt;br /&gt;
- To share our group differences so we can increase our knowledge of one another's group positions, plans and needs.&lt;br /&gt;
&lt;br /&gt;
- To increase opportunities to share our group concerns so that we can better support one another's group efforts.&lt;br /&gt;
&lt;br /&gt;
- To unite in common action where we have agreement.&lt;br /&gt;
&lt;br /&gt;
It was too late. A little more than two months later, the riots broke out and Capitol East had two of the four major riot strips, including H Street. Hope had burned up as well.&lt;br /&gt;
&lt;br /&gt;
then in 1995, as part of the Green Politics Network, I joined a number of other Greens in hosting a conference of third party activists. Over a hundred showed up, ranging from one of the founders of the American Labor Party to Greens, Libertarians, Perot backers, Democratic Socialists of America, and followers of Lenora Fulani. It was a recklessly dangerous idea for a Washington weekend, but John Rensenbrink, Linda Martin, and Tony Affigne seemed to know what they were doing and I was happy to go along. We established two basic rules:&lt;br /&gt;
&lt;br /&gt;
- We would only discuss issues on which we might find some agreement.&lt;br /&gt;
&lt;br /&gt;
- We would reach that agreement by consensus.&lt;br /&gt;
&lt;br /&gt;
I was one of the kickoff speakers and said:&lt;br /&gt;
&lt;br /&gt;
"As a simple empirical matter you can say that one of the great characteristics of Americans is not merely opposition to a system of the moment but antipathy towards unnatural systems in general -- opposition to all systems that revoke, replace or restrain the natural rights of humans and the natural blessings of their habitats.&lt;br /&gt;
&lt;br /&gt;
"This, I think, is why we are here today. If nothing else binds us it is an understanding of the damage that heartless, leaderless, mindless systems have done to the specifics of our existence. . .&lt;br /&gt;
&lt;br /&gt;
"Further, in our distaste with the systems suffocating our lives, we are very much in the mainstream. These systems have done half our work for us, they have lost the people's faith. . .&lt;br /&gt;
&lt;br /&gt;
"We must stake out a position with real programs for real people, with our enthusiasm on our sleeve and our ideology in our pocket, with small words and big hearts, and -- most of all -- with a clear vision of what a better future might look like. We must tackle what Chesterton called the "huge modern heresy of altering the human soul to fit its conditions, instead of altering human conditions to fit the human soul.". . .&lt;br /&gt;
&lt;br /&gt;
"This then is our task. Let's embrace it not as sectarians or as prigs but as a happy fellow members of a new mainstream. Not as radicals permanently in exile but as moderates of an age that has not quite arrived. Let's laugh and make new friends and be gentle with one another. Let's remember Camus' dictum that the only sin we are not permitted is despair. . ."&lt;br /&gt;
&lt;br /&gt;
Despite the wide range of views present, despite the near total absence of Robert's Rules of Order, the final document, with full consensus, called for nothing less than a major transformation. The group unanimously agreed to support proportional representation, campaign finance reform "to provide a level playing field in elections;" initiative, referendum and recall; better ballot access; the end of corporate welfare; strong environmental policies; sexual and reproductive freedom; an end to the war on drugs and treatment of addiction as a health matter rather than as a crime; a dramatic cut in military expenditures; workplace democracy and the maximum empowerment of people in their communities "consistent with fairness, social responsibilities and human rights."&lt;br /&gt;
&lt;br /&gt;
Not bad for a meeting at which nobody yelled at anyone.&lt;br /&gt;
&lt;br /&gt;
Interesting stories but how rare.&lt;br /&gt;
&lt;br /&gt;
Now Kevin Zeese and George O'Neill have to try to build on the spirit in that basement last Saturday and turn it into something that all can see. Perhaps it will be a catalyst as was, say, the Seneca Falls conference was for women's rights. Perhaps it will be nothing but another nice try that didn't work out. &lt;br /&gt;
&lt;br /&gt;
We may never know. After all, only two women who attended Seneca Falls conference lived long enough to vote. &lt;br /&gt;
&lt;br /&gt;
We do know, however, that good futures are built on the efforts of those unafraid of failure. At a time when a majority of Americans consider their system broken, we can either consign ourselves to being victims or we can, as we did last Saturday, come together in new ways, with new ideas and new allies and start replacing a failed system with communities that work. &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;INFO ON THE NEW ANTI-WAR COALITION&lt;/b&gt;&lt;br /&gt;
&lt;a href="mailto:kbzeese@gmail.com"&gt;&lt;b&gt;Kevin Zeese&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="mailto:goneilljr@gmail.com"&gt;&lt;b&gt;George D. O'Neill Jr&lt;/b&gt;&lt;/a&gt;  &lt;/div&gt;&lt;span class="post-author vcard" style="color: blue; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt; Posted by &lt;span class="fn"&gt;TPR&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-207262702294772683?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://prorevflotsam.blogspot.com/2010/02/eight-hours-in-basement-for-peace.html' title='EIGHT HOURS IN THE BASEMENT FOR PEACE'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/207262702294772683/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=207262702294772683' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/207262702294772683'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/207262702294772683'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/02/eight-hours-in-basement-for-peace.htm' title='EIGHT HOURS IN THE BASEMENT FOR PEACE'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-7736954366179441630</id><published>2010-02-23T00:00:00.000-08:00</published><updated>2010-02-23T00:00:06.814-08:00</updated><title type='text'>Howard Zinn Tribute: Ralph Nader Part 1</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;object height="340" width="560"&gt;&lt;param name="movie" value="http://www.youtube.com/v/T1zF9HqPc6M&amp;hl=en_US&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/T1zF9HqPc6M&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-7736954366179441630?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.youtube.com/watch?v=T1zF9HqPc6M' title='Howard Zinn Tribute: Ralph Nader Part 1'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/7736954366179441630/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=7736954366179441630' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/7736954366179441630'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/7736954366179441630'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/02/howard-zinn-tribute-ralph-nader-part-1.htm' title='Howard Zinn Tribute: Ralph Nader Part 1'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8352560.post-970665974228313610</id><published>2010-02-22T07:49:00.000-08:00</published><updated>2010-02-22T07:49:08.323-08:00</updated><title type='text'>Colin Ward, RIP</title><content type='html'>&lt;div class="byline" style="color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;a href="http://reason.com/people/jesse-walker" rel="author"&gt;by Jesse Walker&lt;/a&gt; | February 17, 2010&lt;br /&gt;
&lt;/div&gt;&lt;div class="entry" style="color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;"&gt;&lt;img alt="Colin Ward, 1924-2010" class="pic right" height="275" src="http://reason.com/assets/mc/jwalker/2010_02/colinward.gif" title="Colin Ward, 1924-2010" width="410" /&gt;&lt;br /&gt;
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My favorite left-anarchist writer, Colin Ward, has passed away at age 85. Ward was the most practical radical I've ever read: Rather than sketching out utopian blueprints of a society without a state, he searched for empirical examples of everyday people organizing to solve their own problems. Once he started looking, he found that voluntary, non-authoritarian cooperation was everywhere. Utopia, he wrote in his 1973 book &lt;a href="http://www.amazon.com/exec/obidos/ASIN/0900384204/reasonmagazineA/"&gt;&lt;i&gt; Anarchy in Action&lt;/i&gt;&lt;/a&gt;, is "already here, apart from a few little, local difficulties like exploitation, war, dictatorship and starvation."&lt;br /&gt;
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Because he took his ideals seriously, Ward butted heads regularly with both the conventional left and the conventional right. In the '80s and early '90s, his column for &lt;i&gt;New Statesman &amp;amp; Society&lt;/i&gt; was peppered with examples of the Tory government failing to live up to its rhetoric of liberty and decentralized power. At the same time, he was harshly critical of the social democratic left. In one of his most famous passages, he pointed out that&lt;br /&gt;
&lt;blockquote&gt;When we compare the Victorian antecedents of our public institutions with the organs of working-class mutual aid in the same period the very names speak volumes. On the one side the Workhouse, the Poor Law Infirmary, the National Society for the Education of the Poor in Accordance with the Principles of the Established Church; and, on the other, the &lt;i&gt;Friendly&lt;/i&gt; Society, the Sick &lt;i&gt;Club&lt;/i&gt;, the &lt;i&gt;Cooperative&lt;/i&gt; Society, the Trade &lt;i&gt;Union&lt;/i&gt;. One represents the tradition of fraternal and autonomous association springing up from below, the other that of authoritarian institutions directed from above.&lt;/blockquote&gt;As Stuart White notes in his &lt;a href="http://www.nextleft.org/2010/02/colin-ward-pioneer-of-mutualism.html"&gt; tribute&lt;/a&gt; to Ward, the writer was&lt;br /&gt;
&lt;blockquote&gt;a formidible and dedicated opponent of what is often understood as the Fabian tradition. This comes across very clearly in his work on housing where he was always highly critical of state-heavy efforts, led by middle-class housing professionals, to provide housing for the working-classes. In this context, he argued for the alternative left tradition of cooperative self-help in the form of tenant cooperatives, self-build projects and squatting. He pointed repeatedly to the illogicality of local governments - often Labour-controlled - who would rather destroy unused council housing stock than allow it to be occupied by squatters.&lt;/blockquote&gt;These squatters, to be clear, were not self-righteous trustafarians seizing a private home while the owner took a holiday. They were ordinary families finding uses for resources the state had left fallow. Such self-organization was a longtime theme in Ward's work. Quoting White again: "Much to the consternation of the [postwar] Labour government, many thousands of working-class people responded to acute housing shortage by taking over and adapting disused military bases. While his comrades in the anarchist movement struggled to see the point, Colin saw this as an example of what he would later call 'anarchy in action': direct and cooperative self-help." Ward's interest in the institutions that people build from below took him to areas that radical writers rarely touched: He wrote appreciative histories and sociologies of &lt;a href="http://books.google.com/books?id=JWWXzG1JAIsC&amp;amp;dq=colin+ward+holiday+camps&amp;amp;source=gbs_navlinks_s"&gt; holiday camps&lt;/a&gt;, &lt;a href="http://www.inpressbooks.co.uk/the_allotment_its_landscape_and_culture_crouch_david_and_ward_colin_i016209.aspx"&gt; allotment gardens&lt;/a&gt;, &lt;a href="http://libcom.org/library/anarchy-milton-keynes-music-colin-ward"&gt;amateur music-making&lt;/a&gt;, even the &lt;a href="http://www.amazon.com/exec/obidos/ASIN/0394735943/reasonmagazineA/"&gt;street culture&lt;/a&gt; of urban children.&lt;br /&gt;
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Ward had an eye for the creativity of ordinary people and the ways we use that inventive energy to transform our environments. He didn't have trouble imagining a society immersed in liberty and spontaneous order, because he knew that liberty and spontaneous order were what sustained society in the first place, even if they sometimes had to take a stunted form.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8352560-970665974228313610?l=www.pscelebrities.com%2Fwhitelightblacklight' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://reason.com/blog/2010/02/17/colin-ward-rip' title='Colin Ward, RIP'/><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/970665974228313610/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=8352560&amp;postID=970665974228313610' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/970665974228313610'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8352560/posts/default/970665974228313610'/><link rel='alternate' type='text/html' href='http://www.pscelebrities.com/whitelightblacklight/2010/02/colin-ward-rip.htm' title='Colin Ward, RIP'/><author><name>Alice</name><uri>http://www.blogger.com/profile/13038018719406067477</uri><email>aliceiswonderland@gmail.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='02178373912199130468'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry></feed>